5 GAME-CHANGING Techniques from JAYCEN JOSHUA 🔥

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In this video, you’ll learn some of the most advanced and effective mixing techniques from Jaycen Joshua. I've watched almost all of the tutorials available from Jaycen Joshua, and here are the five most important things that I’ve learned: Dynamic Processing, Importance of Transients, Reverbs, Bigger Kicks, and Stereo Widening.

⭐️⭐️PREMIUM PRESETS/TEMPLATES⭐️⭐️

I explain all of them with different examples. These five mixing techniques from Jaycen Joshua can boost your career instantly! So don’t miss out on them.

Dynamic Processing: You’ll learn how to amplify transients and bring life back to your songs using plugins like SPL Transient Master, Waves Smack Attack, iZotope, and Oak Sound Spiff
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Dry/Wet Mixers: You’ll learn how to achieve maximum loudness by controlling the reverb tails.

Phat Shadow Technique: By learning this simple technique, you can make your guitars, synths, or other mix elements more stereo without adding reverbs with long decay.

Bigger Kick: By tricking the ear, you can achieve bigger kicks. This is a simple but effective trick.

Front to Back Panner: You can achieve more 3D mixes using Waves Trueverb. This is Jaycen Joshua’s mixing trick to push the sounds further in the mix.

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Chapters:
00:00 Important Notes
00:38 1. Transients
02:35 Example 1
03:11 Example 2
03:58 Results
04:49 Special Trick
05:24 2. Dry/Wet Mixers
06:45 3. Phat Shadow Technique
07:31 4. Bigger Kicks
08:07 5. Front to Back Panner
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#mixingtips #jaycenjoshua #mixingtutorial
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yeckxo
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I appreciate you putting in the work to post educational content. I need, though, to address three things, important for beginners to understand.

1. Transients were never seen as the enemy in the analog world. It was working with Analog gear, specifically Tape, that would attenuate transients naturally. Since they are very fast high amplitude sounds, tape would distort and they would be smoother sounding. Same with tubes, for example - there's only a certain amount a tube can take before distorting.
2. More transients doesn't mean better sound. There's way more to it than just that. Clipping a sound, for example, lets you preserve the perceived transient while helping you achieve transparent loudness. If you just boost your transients with a transient designer, your final mix will sound squashed, because a limiter (which is a compressor, basically), will react to high amplitude transients in a different way than a clipper would do.
3. Making your kick longer is not something you should always do if you don't know what you are doing. In your example, the long kick is objectively ruining your mix. You have a bassline that's moving a lot and your short kick let that bassline exist in its own space. The long kick overlapped your bass and made a mess out of it. Longer kick is better only when you have space for it, when it's tuned (roughly), and when it's just long enough. We're talking about fine margins.

madsonit
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Amazing! Keep up the good work. Thanks!

WorldOfArtWorld
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Thank you so much for this great video man! Where do you got the multitracks from Katy Perry from? I would really like to train mixing with some multitracks but i cant find any online..

avoca
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I went to go look at spiff sounds amazing

sin_phany_tv
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Nah you didn't gain match after applying the transient processing, basically you just made it sound louder in that instance, it's more about controlling those -transients through saturation and compression without loosing the punch

Just_Curious
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question, it wont be unbalanced when mono guitar pan 100 percent to one side and its reverb to another?

RV_beat
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Nice, but why you have the early relfections fader all the way down in the last example?

jahana
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Do you have Jaycen Joshua’s kick samples??? He replaces them if needed

magzhan
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There is debate on transients that makes it kind of difficult to have too much of them in the mix. Bacically the analog songs have alot of transient in them unlike you explained, even then they had limiters but not a graphical UI to make the visible to the mixing engineer, and on top of that they often had to make sure the dynamics were not too much for the LP record. But these day in the digital enviroment and with the loudness, it is easier to see how much you would need to get to the point of loudness you are aiming for, and even to go back to the mix and change some things. But ultamately a transient is a part of what the kick drum, it is just the attack and it will move the cone of the speaker, but too much of the transient and too long and the clarity is gone, famous mixing engineers often trick the ear, like deadmouse and the mxing engineer for Beyoncé say. Short kicks make room for low end of other instruments which need to go in tandem with the kick, bass and even guitar in rock music. If you are using a transient designer you are also changing the timbre of the instrument and effectively changing the shape of how the instrument is looking in a EQ. So for smack in a snare drum or kick for that matter the mids are incredibly important!! Saturation on instruments with excessive transients lower the transient and will have the same impact but will not trigger a limiter and suck away the energy....In the end it your mix, you can't teach people how to make music they like if you don't first learn what they are after. Many mixing engineers are doing too much processing to make a song ''special'' while in fact most people who do not have access to a studio will often use virtual instruments and libraries, which have great sounds out of the box. But it is not about making the song special, but to solve problems and to do as less as possible to make a song work, that is how the best mixing engineer made music and that is what i am after.

ronmoes
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Is transient designer affect headroom or not? Because its sounds louder?

zachpitt
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1996 reverb in a 2024 video nice love it. the necessary serban namedrop to appear with any sort of authority - unnecessary.

georgwalt
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Man this video is absolutely great thank you 👊

Jabanekoulouban
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whats the difference between Izotope alloy and izotope transient shaper ?

nigeromt
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and them the trend is to use Clippers that cut the transients!

bluematrix
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Amazing work, thank u so much. U deserve million's of subscribers.

naive_songwriter
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You using ai voice clone of yourself? I enjoy metric halo's transient plugin

professorslideraudio
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Slow attack fast release compression has the effect of boosting transients by compressing only the sustained part of a signal. Lots of good tips in this video but the idea that nobody enhanced transients until the plugin era is absurd.

helmutuhlmann
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Thanks for the great content! Highly appreciated the useful info summarized in short duration. I just think might be better to show existing plugins only rather than discontinued ones like İzotope Alloy which is replaced by Neutron in 2017.

kayahanli
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He puttin people on game I’m saprized he don’t have more followers

rbeattaylor