RED EPIC W - R3D RAW & Proxy Workflow

A quick little tut all about how we work with our Red Epic W footage.

[micdaviz]

you have no idea of how much i have learnt from this you

[angelicaamora]

I never really get how Red, Arri, or all other cinema cameras. This helped a lot with the i formations THANK YOU

[SalCincotta]

SERIOUSLY!!! Great video. I have the Epic-W and have been banging my head against a wall trying to figure out this EXACT workflow and information is half-ass at best. This bring it together perfectly my man. THANK YOU!

[THEALAMO]

Thank you man. This video was perfectly presented and spot on with info

[KazSivz]

why tf are people commenting that it is too long? this is not a 5 Min Crafts video

[MichaelWahbaM]

Very helpful man, wow! You answer a lot of my questions however I still have one more:
At the point where you ended the video, is that then when you would apply the creative lut? So you apply output transform lut to the RWG/Log3g10 image, and then on TOP of that, you apply the creative lut, I.e. philmcolor?

[gamesonsix]

Wow. Great pointers! Would be great to get some links to the LUTs and maybe more Grading info

[mudwolff]

I have a rough edit of my film ready for export but when i try to attach the proxies using the method you show here, i get an error that reads "Proxy Media and Full Resolution Media must have matching audio channels."


How do I resolve this issue? thanks

[airfilm_it]

i'm a Davinci user, any idea how to do same process?

[segatronmedia]

So there is pretty much no way around individually reconnecting the clips. We didnt record proxies but I just imported them into premiere pro and made proxies the same way I would do it for HD footage and it worked! But I did have to connect each file individually once the proxies were made. Sucked but I got into a groove and did it faster and faster

[segatronmedia]

Honestly though with files being so large, if you have set notes and know what clips you want its almost more efficient to only make proxies for the clips you plan using

[allybattye]

Great video. I have a question, my master panel looks completely different when looking at my R3d footage. For example no FLUT or DEB option. Any idea why this might be? Thanks.

[Yyuiop]

Great video. Btw, the Red cameras don’t really have a base iso- I used to only shoot 800 iso as a base until I found out you use iso to shift the dynamic range to protect highlights etc, then manual- never auto- black shade

[sharchik]

How did you get the extension on the clip in the timeline to change to R3D. This workflow is so frustrating I have to do each clip one at a time ugh

[ryanhovland]

Where in the RED settings can you set it to record proxies?

[reddragonsstudio]

Hi Travizeo my Red files doesn't comes with a proxy, how can I fix that??? please

[stephanes.]

Is it cropped when you record hd proxy?

[dm.b]

Isn't it AVCHD even lighter and easier to handle as proxi?

[bloodinthewater]

Seems like if you are baking a LUT onto the proxy, knowing that it will slow down your timeline, story must not be as important as the camera. If you're cutting a DP reel, that's fine, but if you're trying to tell a story, with regard to pacing and timing, this is not acceptable. That's a disconnect between cam dept and post that I've seen before.

[ohthefuture]

Why is H264 a horrible codec? I'm no tech pro, but thought H264 was like a great codec(?) **Note: I use Premiere on Windows 10 all juiced up with RAM and 2 graphics cards.