'WITH ONE LOOK' FEAT. NICOLE SCHERZINGER (Visualiser) | Sunset Blvd.

SUNSET BLVD: The Album - OUT NOW

This recording of the multi-award winning SUNSET BLVD., masterfully reimagined by two-time Tony Award® and multiple Olivier Award® winning director Jamie Lloyd, was captured live on the stage at London’s Savoy Theatre. Featuring Olivier Award winner and GRAMMY Award® nominee Nicole Scherzinger, Olivier Award winner Tom Francis, Olivier Award nominee Grace Hodgett Young, and Olivier Award winner David Thaxton, SUNSET BLVD’s debut in London, won seven Olivier Awards, including Best Musical Revival, Nicole Scherzinger for Best Actress in a Musical and Tom Francis for Best Actor in a Musical.

SUNSET BLVD: The Album serves as the ultimate experience from the show, while simultaneously being a deeply rich and satisfying listening experience in its own right. This masterful reinterpretation is poised to win over a new legion of converts while thrilling the most loyal of devotees of this beloved show.

Written by Andrew Lloyd Webber, Don Black and Christopher Hampton, the album was produced by Andrew Lloyd Webber, Jamie Lloyd, Lee McCutcheon, Adam Fisher and Alan Williams mixed in Dolby Atmos, spatial audio.

ALBUM TRACKLIST:

CD1
1. Overture
2. Let Me Take You Back
3. Let's Do Lunch
4. Betty's Pitch
5. The Car Chase
6. Surrender
7. With One Look
8. Scene: Did you say you were a writer?
9. Salome
10. The Greatest Star Of All
11. Schwab's Drugstore
12. Girl Meets Boy
13. Scene: Where have you been?
14. I Started Work
15. What's On This Evening?
16. New Ways To Dream
17. Scene: Today's the day
18. New Year's Tango
19. The Perfect Year
20. This Time Next Year
21. Scene: Happy New Year, darling

CD2
1. Entr'acte
2. Sunset Boulevard
3. There's Been A Call / It Took Her Three Days
4. Arrival at Paramount
5. Norma In The Studio
6. As If We Never Said Goodbye
7. Paramount Conversations / Surrender (Reprise)
8. Girl Meets Boy (Reprise)
9. Scene: Who's Betty Schaefer? / I Should Have Stayed There
10. Scene: The Back Lot
11. Too Much In Love To Care
12. Scene: I made her a star
13. New Ways To Dream (Reprise)
14. The Phone Call
15. What's Going On, Joe?
16. No One Ever Leaves A Star
17. Max, Where Am I?
18. End Credits

BROADWAY REVIEWS:

“Nicole Scherzinger is sizzling in Jamie Lloyd’s seductive, red-hot revival of Andrew Lloyd Webber’s best score….immaculately sung… a level of detailed lyrical and physical preparation that you don’t see much with this kind of fearlessness.” ChicagoTribune

“For collectors of history-making Broadway performances, this is one not to be missed.” Wall Street Journal

“Jamie Lloyd’s electrifying and brilliant revival drips with cutting-edge cool. Nicole Scherzinger is an astonishing force of nature.” The Washington Post

“A bracing reminder of everything that theater can be…(Scherzinger) delivers Norma’s signature ballads with breathtaking power and bravura…every bit as stunning and volcanic as you’ve heard.” USA Today

“Scherzinger gives a career defining performance.” People Magazine

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[senorgato]

Imagine being in the industry almost 30 years and at age 46 finally getting the proper recognition for her immense talents. She is so deserving but it has taken far too long.

[fairytale]

In some ways, this song perfectly encapsulates Nicole’s return to the spotlight.

[iamluisfelipe]

The greatest star of them all. It was about time for the world to recognize her talent!

[jaw]

You guys.. her performance is a transcendent experience. I’ve never witnessed anything like it in theatre. People in the audience all around me had their hands on their chest and mouths wide open. People wept. It was amazing.

[Heyjay]

I have heard and seen her do this over 6 times now and she nails it exactly like this every time. The cast is powerful. It's a reimagining of the musical, open your senses. And remember, women over 40 in this business are cast aside even to this day!!

[Lizwindsor]

A complete masterpiece. Nicole S will win the Tony! 👏🏻👏🏻👏🏻👏🏻

[zackstark]

By far one of the most powerful acting performances I’ve seen somebody just give her the Tony!

[EJose-vn]

I was in London a year ago and saw that a new production of Sunset Boulevard had just opened at the West End. I had seen the original Broadway production of the show with Glenn Close in the mid-90's and was blown away by her performance. I bought tickets to the new West End show with Nicole Scherzinger in the role of Norma, and arrived at the Savoy Theater with much skepticism. The publicity poster outside the theater showed Ms. Scherzinger neither in the costume or make up of Glenn Close's Norma. Once the show started, I did not know quite what to make of the minimalist set and the casts' street wardrobe. I was expecting the same over-the-top set and costumes of the 90's show. But after 10 minutes, I forgot about the original production. I was mesmerized by Ms. Scherzinger’s performance. I saw the new production again, on Broadway, earlier this month, when it was still in previews, . Beyond the very obvious differences with the set and costumes, the biggest difference was how I felt for the character of Norma Desmond. Ms. Close was excellent, but in that original production, what I felt for “Norma” was simple sympathy, and only that. For this latest version of Sunset and Ms. Scherzinger’s performance, I felt empathy for “Norma”. Here’s why: Ms. Scherzinger’s Norma is attractive and is not at all a has-been, except for her chronological age. In the new production, the contrast of “old Norma” (Ms. Scherzinger) and “young Norma” (a young look-alike actress who comes in and out of the scenes to remind old Norma of her young self, Jamie Lloyd's addition to this production that was not in the original production) makes that point. So when old Norma is rejected by Mr. DeMille, the character of Joe Gillis, and the rest of Hollywood, we, the audience feel her pain the way that we did not for 1990's Norma. We do not understand the rejection and is puzzled by it because we could see that Ms. Scherzinger, as old Norma and despite her chronological age, is still as gorgeous and attractive as the young Norma. That is the biggest difference between the original 90's production and Jamie Lloyd’s production, and why this new production, without the elaborate set and costumes, is much better. Ms. Scherzinger, in the role of Norma, made us feel the rejection as if it was us being rejected, and how unfair and unjust it was.

[manuelschlosser]

I have been to so many musical performances in my life. But this was the best I have ever seen. Nicole Scherzinger is out of this world. Still after a year having seen it London this show captivates me so much! Lucky Broadway audiences!

[Esjaetv]

Outstanding! Looks like Tony win to me. Keep flying Nicole.

[ceedl]

Only Nicole can sing like this. Her talent is immense. The world should be looking at her and watch any chance anyone gets to see her. More of Nicole please..

[hawaiian_ryu]

That’s my cousin!!! Love you cuz cheeehoooo

[SteveWeaverIvyfield]

And the soundtrack FINALLY dropped today! ❤

[SL-lzjr]

Definitely one of the best shows I’ve seen on Broadway. I’m rarely amazed but her performance wowed me. She’s taking home a Tony for sure.

[Charlie-czjh]

I'M SO IMPRESSED.🌹🌹 Nicole, you are A SUPERSTAR❣️❣️❣️ WE LOVE YOU😇🥰

[sandyg.]

Bravo!!!💐💐💐💗
This makes me so happy to see Nicole being recognized and celebrated for her tremendous talent.
Nicole sings, dances and acts, she is what we called a triple threat back in the day, meaning she can do it all!!!
I would love to see Nicole win a Tony award for her performances in Sunset Blvd!👏🏽👏🏽👏🏽💐💗

[vincea.]

WHAT A POWER This show is a must see. the album is stunning. masterpiece

[NickGilham]

The album is incredible. I think this is my new go-to recording of Sunset Boulevard.

[Danielabellydance]

Wow. I saw this in the 90s with Betty Buckley and I admit I was skeptical about Nicole in this role. But wow. That was amazing. 😊

[mariaroca]

Amazing artist. One of the best singers EVER.