The New Canon: Innocence

The dedication that ends Lucile Hadžihalilović’s debut feature Innocence is “à Gaspar” (“to Gaspar”), a tribute to her then-partner, notorious film provocateur Gaspar Noé (Irreversible, Love, Climax et al). Given that Innocence is based on a work by another controversial artist, German author Frank Wedekind, who is somewhat infamous for writing the plays, Pandora’s Box and Spring Awakening – both of which delve into taboos of youthful sexuality, lust and violent power games centered on young girls, who are forced into an unforgiving regime of display, performance, and subjugation — you might well fear the worst. You might fear — as in the title of another Noé film — “enter the void.”

Instead, Hadžihalilović produced a suggestive, seductive scary tale. Rather than the in your face, combative type of film that is typical of her former paramour, she instead quietly slips inside your head, and attacks from the inside, out. The beauty of her images – all outdoor scenes shot in natural light – are juxtaposed with the sinister connotations so many of them hold. These quiet horrors are heightened since we, the audience, understand that the young women, by virtue of their age, inexperience, and, yes, innocence, have little concept of the undercurrents occurring in the film.

I say potential because Innocence thrives, even flourishes, on its ambiguities, its allusions and what it often doesn’t show. It’s that rare film you can come away from feeling that you have both “figured it out” and also felt that you couldn’t pin it down. It can take an obvious, indisputably awful thing – like exploiting young girls for their physical allure – and hold it up to the light from a different angle and find something even more disturbing. In watching Innocence we learn how the darkest impulses may be our very own.

Watch Now: Mimi by director Lucille Hadžihalilović.

We set the bar pretty high here at Fandor. That’s why we created our own New Canon, where we highlight some of the greatest movies of the new century. Just what movies have been enshrined into the Fandor Hall of Fame? Check out our videos on “Meek’s Cutoff,” “A Touch of Sin,” “Carol,” “Ida,” “Spirited Away,” “Toni Erdmann,” “Uncle Boonmee Who Can Recall His Past Lives,” and “Oldboy.”

[The_Oblivion_Light]

I wonder if The Promised Neverland was inspired by this movie. It shares many aspect with this movie, especially the way the female characters dressed.

[icewallowcome]

probably one of the best film based channels around 👌❤️

[JV-eemc]

The New Canon series is terrific! The narrator’s voice perfectly complements the beautiful and intelligent words. The films for the new canon are so well selected too. More please!

[sunandrain]

Subscribed - not going to be long before you guys hit that million subs

[imacg]

I’m never sure if I watched it, dreamt of it, or imagined it based on reviews and introductions.

[hanniffydinn]

Right another mother fucking film on the watch list. Holy Jesus.

[bc]

I don’t understand why in horror film, little girls are always creepier than boys

[deathnotedevil]

couldnt have been summed up better tbh

[delilah]

then-partner? they're still together lol
also, it's disrespectful to the director to begin the description of her film with a mention of her husband's films. yes he's more well known, but there's no need to overshadow her own work, especially when her films have had their own modicum of success and are artistically equivalent.

[jasoncromwell]

A precursor to "Never Let Me Go"?

[rafflesxyz]

Ahhhh yes. Commonly known as "pervert's paradise, " - hugely popular in Japan!

[chrisdavie]

Strange, I didn't think it was as sinister as you made it out to be, apart from the injection in the bedroom, which didn't answer or add to anything in the film. The ending in particular was rather beautiful. I feel the freedom experienced inside the incarcerated area resembles childhood and innocence. As soon as she meets the boy in the fountain and develops lust, maybe even love, the innocence goes...She becomes a woman. She is free sexually and free from childhood.

[mrwilfredmyers]

2:27 stick with the original film. I disagree with the voice over. The ..