How The ARRI ALEXA Mini Changed Filmmaking Forever!!

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💭 Comment - Let us know what you think of the ARRI ALEXA Mini down below!
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Chapters:
Intro - 00:00
The History - 00:16
The Image - 01:31
The Form Factor - 03:39
The Media & IO - 06:11
Reflections - 07:11

#ARRI #alexamini #SHOTONARRI

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The moment you start shooting on Alexa is the moment you stop thinking about camera specs and excuses for why your film looks bad run out :)

Julmeni

Consistently my fav channel on YouTube, thanks for the awesome vids!

EdProsser

Those videos are always awesome. 👍
And the internal 4K UHD ProRes upscale on the Alexa Mini is pure wizardry !

Bast

Keep rocking you guys, one of the best YT resources for the working professionals.

mransi

Love these little history lesson videos! Would be cool to see a comparison video between the Mini, Mini LF, and the new Alexa 35. Has Arri ever made a full frame camera?

DynamicPhil

About to use one to shoot my 3rd year grad film with vintage Kowa anamorphics! Such a cool camera!

aleckgardner

Definitely should get one for vlogging!

cheredart

i hope arri starts making smaller and cheaper cameras... just as a thought imagine getting either the old sensor into a ultra small body OR the alexa 35 even smaller and cheaper, offering the base model was a fantastic idea, but with the new ursa and other cameras i think they mus price even more agressively.

A very complete briefing - as always! Thank you!

ChannelWright

Your footage on 7:49 is so damn good dude🔥

riyanthonididi

Hello!
Congratulations on the content! I would like to ask a few questions, please:

1-) Have you ever upscaled the Mini? Does it work? Is it safer to try in Open Gate or is it worth using ProRes 4444 XQ (to do the upscale)? Thinking about the output (and that is for Cinema), is it better to generate the internal 4K UHD ProRes upscale or go for DCI 4K?

2-) We are still evaluating whether it will be 4:3 or 16:9, but considering this second option, does it make sense to record in 16:9? Or is it better to record in Open Gate (either 3.4K ARRIRAW or ProRes 4444) + lines on the screen to simulate 16:9 and then transform it into 16:9 in post, for quality reasons (whether or not upscaled)?

3-) If I want to use 4:3, I drop from 3.4 (Open Gate) to 2.8k. Is it better to film in Open Gate and mark the lines on the screen to make it 4:3 or to shoot in 4:3 at a lower resolution? Is it worth doing it in Open Gate and even with a compromised workflow for adjustments in post-production, with the advantage of gaining in resolution?

renatafortes

Great video, I didn’t realize that the camera is over 8:years old now.

davidalanmedia

As possibly the only still photographer to comment so far may I ask a question.
I see many adverts for used cine-cameras which state "hours used".
I get the fact that this has a possible impact on how an item may look, wear, tear and scratches etc, but is there a live to these systems.(hours used)
My old Nikon D4s had a live 400k shutter actuations, which I did hit but that's a mechanical thing.
How does hours in use affect cine-cameras.
If the answer is that it doesn't, then there has to be some truly brilliant cameras out in the wild at fantastic prices.
As a second question, is there an amount of snobbery against all in one systems of the camcorders systems. I know it is horse for courses but are people closed off to these cameras because they may be seen as less worthy.
I'll keep asking the what some might think "dum questions" as I don't know the answers
Fantastic video as always.
Be lucky stay safe.

R

Maybe in the future camera manufacturers are going to make customizations available, where we'll be able to decide what do we want in the body, almost like buying a computer these days.

MichalOlender