ERIK SATIE Gnossienne 3 - Alessio Nanni, piano

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Satie Gnossienne 3.
The Gnossienne no. 3 by Erik Satie is preformed by italian pianist and composer Alessio Nanni.
French composer Erik Satie composed Three Gnossiennes around 1890 and first published in 1893.
A revision prior to publication in 1893 is not unlikely; the 2nd Gnossienne may even have been composed in that year (it has "April 1893" as date on the manuscript). The piano solo versions of the first three Gnossiennes are without time signatures or bar lines, which is known as free time.

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Recorded in super high definition 96khz/24bit at WHITE NOISE FACTORY, 2014.
Piano: Klingsor
Piano technician: Giulio Passadori

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Комментарии

Hi guys.
Hope you'll enjoy it.
Love, Alessio.

alessionanni

When I was 9, taking a short cut through the Ostfriedhof in Munich at dusk, gates to be closed & locked at 5pm, I was afraid but at the same time fascinate by my surroundings; Would have been truly impressive with an IPod and Satie's music. (I'm 75 and reminiscing)

peterkau

My dad died suddenly in 2004. This melody expressed the desolation of his loss, and yet was strangely comforting. Such is the power of this wonderful music. 😢😮

Elizabeth

This song is hypnotic
Something about ERIK SATIE and how every piece seems to bring hidden emotions to the surface something sad yet happy and at peace

ThatHigh

There's something magical about you playing the Gnossienne pieces. You truly bring out the purpose for which they were composed. The music gives you a strange feeling, like taking a walk in a garden which is both beautiful & scary at the same time, like two sides of a garden where one side is lit up in sunshine & on the other side there's a darkness waiting to be explored.
Thank you for letting us all imagine what this piece's existence resembles.

surabhichoudhary

Nobody, as in nobody plays the Gnossienne compositions of Satie like Alessio Nanni. His interpretation is soulful and evokes a wonderful eeriness which just leaves me in awe! I have listened to many other pianist play this work and the majority at best give a very mechanical rendition. After listening to Nanni i am convinced that his rendition is exactly what Satie had in mind. Bravo Mr. Nanni! It is a joy listening to your work. Thank you.

johanschoeman

how I love this song, your fluidity, your tempo, your fabulous interpretation of Satie's music. Beautiful, beautiful, beautiful, all three versions of Gnossiennes. Other pianists play Satie well, but you play him perfectly, not too fast, not to slow. I could listen to these three songs for an extended period of time on repeat, because 3:12 isn't enough time. I use Gnossienne 3 on my alarm to wake up to, no jarring buzzer

Koubier

The magic here is that you "lighten" up this work, which can go from depressed to funeral in 2 nanoseconds.

Satie teaches us that just playing a piano isn't enough. The tunes are so simple - almost deceptively so. This is where the performer shines in the interpretation.

mizelenious

Привет всем из Санкт-Петербурга! Сейчас осень и эта чувственная и грустная музыка идеально совпадает по настронию с городом на Неве. Просто одна тональность. И конечно, волшебное исполнение! Браво! 👋

svetlana

In addition to the compliments everyone else has come forth with I would also wish to compliment the fantastic recording quality.

billyb

Music and the notation of music has a singular effect on what is lazily called the human "soul", but is in reality utterly indescribable. Saties music has the effect of seeking out the empty, lost chambers of one's heart- it's simplicity is the undoing of all of us

gavinobrien