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Which FEEDBACKER is the best? Freqout, Dr. Distorto, DF2 or FB2?

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I managed to get my hands on the only 4 feedbacker pedals that I know of: the Boss DF-2 Super Feedbacker and Distortion, the Boss FB-2 Feedbacker/Booster, the Digitech Freqout and the Line6 Dr. Distorto. In this deep dive I'm testing out how these pedals work, what control you have over the feedback and what else these pedals could do.
00:00 Intro and signal path
01:43 Boss DF-2
05:52 Boss FB-2
09:32 Digitech Freqout
17:44 Line6 Dr. Distorto
24:25 Playing with vibrato
26:23 Conclusion and feature overview
The Boss DF-2 is the oldest pedal of the 4 and has a DS-2 style distortion which is always present when you activate the pedal, the feedback is only activated when you hold the footswtich down. When the feedback is activated, it sustains the last note that you played, boosts it and adds a wild vibrato. It plays that noise as long as you hold the footswitch down and you can even play notes over the feedback. You have control over the overtones of the feedback: with the knob turned down, it sustains the last played note you played and with the knob turned up, it adds an octave to it. The distortion side of the pedal has controls over level, tone and distortion.
The Boss FB-2 has a completely different approach to add feedback. Instead of synthetically sustaining the sound from your guitar, it tracks your playing. When you hold down the pedal to engage the feedback, it boosts that certain frequency to make your amp reach that feedback screech. The only knob to control this is the Feedback knob, which basically is a gain control for this circuit. The other part of the pedal is a booster and you have more control over that. It has knobs for boost level, tone and character, which morphs between a flat EQ-curve and a mid boost.
The Digitech Freqout is the only one of these 4 pedals that doesn't have other features and solely focusses on feedback. Digitech once made a program that analyses sounds to eliminate feedback in a live room, but for this pedal they reversed that so it actually boosts those feedback noises. You can choose between seven different sounds, control the input gain and the onset (which is the time for the feedback to kick in). There are also switches to choose between momentary or latching footswitch functionality and a switch to kill your dry sound so there's only feedback.
The Line6 Dr. Distorto also sustains your note synthetically, like the Boss DF-2, or add an octave above it with a switch. When the feedback side of the pedal is activated, it automatically generates a note when the natural noise of your guitar fades out. You have control over the rise and fall time of the feedback, as well as a control to blend between dry and feedback. Besides feedback, there's an optional versatile distortion which goes from overdrive to fuzz with tone and volume controls. To top it off, there's also an optional noise gate with two settings.
00:00 Intro and signal path
01:43 Boss DF-2
05:52 Boss FB-2
09:32 Digitech Freqout
17:44 Line6 Dr. Distorto
24:25 Playing with vibrato
26:23 Conclusion and feature overview
The Boss DF-2 is the oldest pedal of the 4 and has a DS-2 style distortion which is always present when you activate the pedal, the feedback is only activated when you hold the footswtich down. When the feedback is activated, it sustains the last note that you played, boosts it and adds a wild vibrato. It plays that noise as long as you hold the footswitch down and you can even play notes over the feedback. You have control over the overtones of the feedback: with the knob turned down, it sustains the last played note you played and with the knob turned up, it adds an octave to it. The distortion side of the pedal has controls over level, tone and distortion.
The Boss FB-2 has a completely different approach to add feedback. Instead of synthetically sustaining the sound from your guitar, it tracks your playing. When you hold down the pedal to engage the feedback, it boosts that certain frequency to make your amp reach that feedback screech. The only knob to control this is the Feedback knob, which basically is a gain control for this circuit. The other part of the pedal is a booster and you have more control over that. It has knobs for boost level, tone and character, which morphs between a flat EQ-curve and a mid boost.
The Digitech Freqout is the only one of these 4 pedals that doesn't have other features and solely focusses on feedback. Digitech once made a program that analyses sounds to eliminate feedback in a live room, but for this pedal they reversed that so it actually boosts those feedback noises. You can choose between seven different sounds, control the input gain and the onset (which is the time for the feedback to kick in). There are also switches to choose between momentary or latching footswitch functionality and a switch to kill your dry sound so there's only feedback.
The Line6 Dr. Distorto also sustains your note synthetically, like the Boss DF-2, or add an octave above it with a switch. When the feedback side of the pedal is activated, it automatically generates a note when the natural noise of your guitar fades out. You have control over the rise and fall time of the feedback, as well as a control to blend between dry and feedback. Besides feedback, there's an optional versatile distortion which goes from overdrive to fuzz with tone and volume controls. To top it off, there's also an optional noise gate with two settings.
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