How to Make Better Timelapses

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In this short photography tutorial, we show you how you can improve your timelapses by taking long shutter exposures and exporting them in Adobe Premiere. By using a Polar Pro 10 stop neutral density filter, Patrick Hall increases his shutter from 1/3rd of a second to 2 full seconds when shooting in bright sunlight.

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Although I was just mildly curious, and don't have the gear, I was captivated by the truly professional presentation by Patrick Hall.. Even though I don't have the exact camera or software, I was able to follow along and understand the concept as he showed and explained it in a thoroughly professional manner. He spoke clear English with ease and clear command of the subject. I really enjoyed this video. I learned things. Five stars.

durkindurkin
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To save yourself a little trouble, you can import the entire set of timelapse images into Premiere as one single clip by going to: File > Import. Choose the first image in the sequence. Make sure the "Image Sequence" box is checked and then click Open. Now you won't have to copy and paste attributes to each frame and then nest them as they're already one clip. You can also go into Preferences > Media beforehand and set the Indeterminate Media Timebase to 23.976fps or whatever you like so it will automatically set the clip to that framerate on import. *Note that for this to work, all of the image files must be named sequentially.

Great tutorial guys! Thanks!!

carlraetzsch
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Don't bother dragging+dropping a large array of files. Just do a File > Import, and select the first frame of the sequence. Make sure the 'Image Sequence' box is checked at the bottom, and you are good to go --It's a single asset.

udlx
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Timelapses were such a struggle for me. I definitely needed this. Thank you for reading my mind :)

MomentumProductions
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Been working as a professional photographer for 20 years, this video proves that one can NEVER stop learning. Thanks for the video. Exicted to try this next week!

donniedarko
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So many little tips and tricks throughout the video. Great job!

ScottJWaldron
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You can use LR Timelapse for post production. This helps to fix the flickering and uses raw files. All in all in helps you to create better timelapses.

sebastiankle
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Ha!!! Now that's awesome! Never thought about making timelapses with a 2s exposure!! Looks so cool! Can't wait to test that!

EveryDayHoliDay
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If you shoot raw, bring your sequence into an album in Lightroom, apply your edits, and then export the sequence and render the video in premiere or ae. I like working with the full frame edits first and then downscaling. Haven’t done it in a while and need to revisit the workflow. LR timelapse is also a gnarly Lr plug-in you can use to apply key framing to high res time lapses across a series of images in Lr. These produce very nice applications for light changes over time (think applying an exposure gradient to a sunrise scene)

epicgnar
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I import the jpegs as a sequence in another way, which I consider simpler: Just use Command+I, look for the folder where you have your files, click on the first image, then check the box on the left low corner of hat dialog box, and just "Import as a sequence". Voila! All your jpegs are imported as a sequence. Thanks for this video, I have learned a few things that were new to me!

carlosread
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5:10 You can stop the camera changing the appeture by disengaging the lens slightly so the camera no longer controls the lens.

therealrobpreston
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Best behind the scene out there yet. 9/10👌🏾

PalamoduxOctavex
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Thanks for taking the time to make this. A lot of great information here.

lukestarkiller
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"I'm going to go ahead and put my camera into intervalometer mode"

*cries in a7riii*

Jake-xrwv
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I don't know about Nikon, but with Canon you can choose your aperture then press and hold the DOF button and twist the lens from the contacts to lock in the aperture. This is the method I use for all my time lapses & AF system lenses to cut down on the aperture flicker..

JJBfilm
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I've learned so much from fstoppers, I feel I have to give something back: LRTimelapse->Lightroom->After Effects. That is the optimal path. Not the fastest though, that's why you use jpegs, I suppose. And the f22 thing...I'd advice to avoid such extremes because of sensor dust and diffraction. Diffraction can be ignored because the final product is video, but sensor dust sometimes cannot be masked out in post. Another advantage using After Effects or any similar editor is that you can mask the jarring sea waves that annoy us and add extra motion blur to soften them without messing with the sky. That's my experience after 4 years and around 500 timelapses for various short and long film productions.

karacop
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Great video, thanks for the helpful tips!

michaelmacfarlane
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I've been to that area many times. It's neat to be able to recognize where you're shooting.

whunt
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this was a wonderful video, thank you for making it ; much success to you

hoanyariiteahunter
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That tip on the aperture makes sense. I wonder if the new Z series cameras pre compose TL at 4K? Another technique is to shoot RAW and import to Lightroom and tweak before spitting out JPGs. But thanks, this is great.

nicklaytonUK