aepo-artis 2

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Why do you say that it is important to collect these amounts only through CMOs?It is important that performers and authors be properly remunerated and that the money reaches them directly, without introducing these organizations artificially into the rights-user relationship.
If we talk about streaming services, they have clear data on what was used, by whom and how many times so that they can pay the rights of the owners very exactly to them and in an extremely short time. What is the role of the CMO that will stand between streaming services and rights holders, other than "breaking" a significant part of the rights holders' money and paying them only a share after years and years? What guarantee do rightholders have that they will ever collect this money from CMOs given that it is recognized by everyone for their lack of transparency and excessive bureaucracy?

hcoldea