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Maj7‡9#11‡13 (harmony in 31-edo)

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a vertiginous piano etude exploring the Lydian ‡2, ‡6 motherchord within 31-equal (R - ‡2 - 3 - #4 - 5 - ‡6 - 7) and how it plays against the spectrum.
Lydian is almost everyone’s favorite sound. Fortunately, 31-edo has quite a few different flavors of Lydian which remain true to it’s core identity but offer new shades.
Lydian ‡2, Lydian ‡6, and Lydian ‡2 ‡6 all sound amazing. I see this as fresh extension of composite II from 12edo so the ‡2 + 6 form and ‡6 + 2 form are degenerate forms of the ‡2 + ‡6 base form
The most obvious JI interpretation of this is /56 but the 31-edo vertical has misalignment with the /56 object on its #11. as such, while the #11 gives the great lydian energy tor this, omission of it allows the /56 gestalt to emerge. another option is to instead use Lydia ‡2 ‡6 which has the ♯‡4 instead. This lydia arrangement regains alignment vertically.
#musictheory #microtonal #harmony
Lydian is almost everyone’s favorite sound. Fortunately, 31-edo has quite a few different flavors of Lydian which remain true to it’s core identity but offer new shades.
Lydian ‡2, Lydian ‡6, and Lydian ‡2 ‡6 all sound amazing. I see this as fresh extension of composite II from 12edo so the ‡2 + 6 form and ‡6 + 2 form are degenerate forms of the ‡2 + ‡6 base form
The most obvious JI interpretation of this is /56 but the 31-edo vertical has misalignment with the /56 object on its #11. as such, while the #11 gives the great lydian energy tor this, omission of it allows the /56 gestalt to emerge. another option is to instead use Lydia ‡2 ‡6 which has the ♯‡4 instead. This lydia arrangement regains alignment vertically.
#musictheory #microtonal #harmony
Maj7‡9#11‡13 (harmony in 31-edo)
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