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And the winner is...The Yellow Heidi Dress!
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and even take a free class!
Last week I asked you which of my latest me-makes you wanted to see in more detail. No surprises it was my yellow Heidi dress! Let's take a deep dive inside and have a look at the construction and finishes I chose!
Every garment you make is filled with a number of choices, it's these choices that create the end garment design.
How I teach is that as you get more experienced at sewing, more choices become available to you, to ultimately design and customise each of your projects to just how YOU want it.
Here are some of my choices that created my Heidi dress:
Fabric - Not only is the fabric one of my favourite colours but the weight of the Cotton Duck, (from the upholstery department @spotlightstores ) makes it perfect for swishing around in.
Neckline finish - The bodice features my (patent-pending!) 'reverse-facing' technique to give a crisp, sharp square neckline. Combined with what I call 'floating ric-rac' that just pokes out the side and looks more like a crochet edge, and thrifted vintage trim, really makes a feature.
Pockets - I based the pattern for these patch pockets on a design I saw on a 1930's dress. It echoes the design features on the neckline of the square shape and trim details to make a simple dress design and block colour just pop!
Buttons - Vintage of course!
Hem - I love using hem facings, and I created a nice deep one for this to give weight and structure to the hem making it swooshy, and structured, at the same time.
Armhole - I almost always finish armholes like this (sleeveless) with a bias facing. No oversized flapping shaped facings here!
Waist tape - This is a vintage technique I use all the time, in most cases just for visual appeal, to hide the seams (they are still overlocked under the tape) with a rayon seam tape. To me, it just looks pretty and feels more like a vintage or high-end garment when I look inside, and that's important to me.
What I would have done differently next time - I do wish I had used a nicer seam finish rather than an overlocker/serger. I only had this lighter coloured thread and it really stands out. And I accidentally miscalculated the buttons and my opening. it's not quite right but doesn't impact the design (I bet you would never notice if I didn't point it out! But it's my job to show you nothing is perfect ever and everything is a learning experience 🙂)
I'm really happy you chose my Yellow dress, as it is one of my absolute favs!
Which detail stands out most for you? Any others you'd like more information on?
// LINKS:
* Get my SEWING GUIDES
// WHAT TO WATCH NEXT:
// FOLLOW me on my other social media channels:
*Some of these links are affiliate links and I may earn a small commission from them. I thank you so much for using them, as when you do it helps support me and this channel so I can keep making these free videos for you.
…
Last week I asked you which of my latest me-makes you wanted to see in more detail. No surprises it was my yellow Heidi dress! Let's take a deep dive inside and have a look at the construction and finishes I chose!
Every garment you make is filled with a number of choices, it's these choices that create the end garment design.
How I teach is that as you get more experienced at sewing, more choices become available to you, to ultimately design and customise each of your projects to just how YOU want it.
Here are some of my choices that created my Heidi dress:
Fabric - Not only is the fabric one of my favourite colours but the weight of the Cotton Duck, (from the upholstery department @spotlightstores ) makes it perfect for swishing around in.
Neckline finish - The bodice features my (patent-pending!) 'reverse-facing' technique to give a crisp, sharp square neckline. Combined with what I call 'floating ric-rac' that just pokes out the side and looks more like a crochet edge, and thrifted vintage trim, really makes a feature.
Pockets - I based the pattern for these patch pockets on a design I saw on a 1930's dress. It echoes the design features on the neckline of the square shape and trim details to make a simple dress design and block colour just pop!
Buttons - Vintage of course!
Hem - I love using hem facings, and I created a nice deep one for this to give weight and structure to the hem making it swooshy, and structured, at the same time.
Armhole - I almost always finish armholes like this (sleeveless) with a bias facing. No oversized flapping shaped facings here!
Waist tape - This is a vintage technique I use all the time, in most cases just for visual appeal, to hide the seams (they are still overlocked under the tape) with a rayon seam tape. To me, it just looks pretty and feels more like a vintage or high-end garment when I look inside, and that's important to me.
What I would have done differently next time - I do wish I had used a nicer seam finish rather than an overlocker/serger. I only had this lighter coloured thread and it really stands out. And I accidentally miscalculated the buttons and my opening. it's not quite right but doesn't impact the design (I bet you would never notice if I didn't point it out! But it's my job to show you nothing is perfect ever and everything is a learning experience 🙂)
I'm really happy you chose my Yellow dress, as it is one of my absolute favs!
Which detail stands out most for you? Any others you'd like more information on?
// LINKS:
* Get my SEWING GUIDES
// WHAT TO WATCH NEXT:
// FOLLOW me on my other social media channels:
*Some of these links are affiliate links and I may earn a small commission from them. I thank you so much for using them, as when you do it helps support me and this channel so I can keep making these free videos for you.
…
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