Sony A1 II and FE 28-70MM F2 GM | Shooting the Lamborghini Super Trofeo Racing in Spain

Sal D’Alia takes Sony’s most technologically advanced and innovative camera, the Sony Alpha 1 II, and the brand new 28-70mm f2 G Master to Spain at the Lamborghini Super Trofeo World finals. Follow him, shooting 50.1MP images, beautiful 8K video, 30fps stills, and slow-motion footage in the hands-on video.

*Salvatore D'Alia* is a filmmaker, photographer & content Creator. Italian-born and raised, moved to NYC in 2010 after graduating from the Academy of Cinema and TV of Milan. Sal started his career as a freelance director, producer, camera operator, and editor. He has worked for many Fortune 500 companies and artists such as Madonna, Ed Sheeran, Blake Shelton, and others. Sal is a pioneer of original content for the web; his work can be quantified with more than 1 Billion views on YouTube, spreading from music to sports and art. He's the Brand Content Lead at Adorama and, since 2016, has been a Sony Alpha ambassador and one of the founding members of the Sony Alpha Collective.

➥ Sony A1 II Mirrorless Camera

Key Features of the A1 II Camera:
► 50.1MP Full-frame Exmor RS stacked CMOS image sensor with integral memory
► Ultra-fast sensor readout speed and next-gen. BIONZ XR image processing delivers:
► Blackout free shooting up to 30fps
► Real-time AF tracking, Real-time Eye-AF for humans, animals, cars, airplanes, trains and birds
► Electronic shutter flash sync (FF 1/400sec., APS-C 1/500sec.)
► 8.6K oversampling for 8K 30p 10-bit 4:2:2 and up to 4K 120p 10-bit 4:2:2
► 8.5-step Image Stabilization with Active mode
► 4-axis multi-angle LCD monitor

➥ Sony 28-70mm f2 G Master

Key Features of the FE 28-70MM F2 GM Lens:
► G Master Constant F2 zoom lens across the 28-70mm focal range
► weighs 918g
► Advanced Nano AR coating II that reduces flare and ghosting
► Four XD linear motors for fast, precise, and silent autofocusing
► Capable of tracking subjects at up to 120 fps for stills and video transitions
► Focus breathing suppression and internal focusing
► Close-up performance with a minimum focusing distance of 14.8 inches (0.38) - perfect for macro shots.
► 20 elements in 14 groups
► 3 aspherical lens elements
► 3 Super ED (extra-low dispersion) glass to suppress chromatic aberrations
► 1 ED (extra-low dispersion) glass element (to suppress chromatic aberration)
► 11-blade circular aperture (for soft bokeh)

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✘ PRODUCTION EQUIPMENT USED:

Sony 100-400m

Sony a7s III

Nomatic Peter McKinnon 35L

Peak Design Tripod

Think Tank Rain Cover

DJI Mic

#sonyalpha1ii #sonya1ii #adorama

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Photographer: Sal D'Alia

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THANKS SO MUCH FOR WATCHING!

[Adorama]

How do you feel about the new release of the Sony A1 II and FE 28-70mm f2 GM? Does it meet your expectations, or are you still on the fence? Share your thoughts and reactions in the comments below for the community to see!

[jeddiah]

The shots are amazing! And the quality of the camera itself is 🔥🔥

[kqschwarz]

What a great video. Super talented cinematographer. The fact he has terrific equipment helps, but it is his talent that makes for a great video. Thank you.

[Chasingthe_cool]

Great work Sal! "Spectacular, give me 14 of them right now"

[vitogrimes]

Thank you for taking the time to make this video. I really enjoyed watching 👍

[DeyanIlievDoctora]

Cant wait to get my hands on one. I've ordered it a month ago but in Bulgaria things are slow. This will be my first picture dedicated camera, I mostly shoot video. The great thing is that it beats my video camera with the specs lol

[jonqphotography]

Both combined probably cost as much as the Lamborghini 😢

[dovklein]

I’m trying to clarify a technical detail about the Sony A1 II. When recording video in 4K DCI format (full-frame mode) at 25p/24p, does the camera use pixel binning, line skipping, or full sensor readout (oversampling from 8.6K)? I’m looking to understand which capture method is used to assess the impact on image quality.

[stillsandvideo]

Great post. What filter did you have on the 28-70?

[harryvuemedia]

With the release of the A1-ii, we can now say the A7S lineup is done for. I mean there is no more reasons to have the A7S series when the FX3 is cinema lineup.

Otherwise, A1-ii is Sony's Perfect Rolling Shutter camera!

[MCCraftAdventure]

What is the dual native ISO of this camera in S-Log 3?

[abhijeetmahato]

Is that @jameypricephoto at 7:11....?!!😅😅

[erg]

well. I don't see you responding to your post, let me see if I get lucky, waht was the N D filter you were using in that lens?

[TW-iuzy]

… amazing lens, but: The magnification ratio is far away from being a lens for macro shots. So in that case your conclusion in the video is not correct. Only in crop mode you will het a decent magnification. But it’s absolutely o.k. for this lens.