Jean Harlow – Dinner at Eight (Final Scene) – 1933 [HD Video Restoration in DES STEREO]

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Dinner at Eight is a 1933 pre-Code comedy-drama film directed by George Cukor featuring Jean Harlow, Marie Dressler, John Barrymore, Lionel Barrymore, Wallace Beery and Billie Burke. It was filmed at MGM Studios and released by MGM on August 29, 1933. Enjoy my video restoration in DES STEREO of this priceless final scene with Jean Harlow and Marie Dressler.

Jean Harlow (born Harlean Harlow Carpenter; March 3, 1911 – June 7, 1937) was an American actress. Known for her portrayal of "bad girl" characters, she was the leading sex symbol of the early 1930s and one of the defining figures of the pre-Code era of Hollywood cinema. Often nicknamed the "Blonde Bombshell", she was popular for her "Laughing Vamp" screen persona. Jean was in the motion picture industry for only nine years, but she became one of Hollywood's biggest movie stars, whose image in the public eye has endured.

About the source mono track:
The source video was 480p YouTube video.

Technical Information:
I used DeMIX PRO v4.2 to isolate the Vocals, Strings, Brass, Drums and Bass into 5 separate tracks. Adobe Audition was used for Dynamic Range recovery, EQ, Delay, Reverb and final mixdown. DaVinci Resolve Studio 18.5 was used to upscale the video to HD 1900x1080p. NERO 2019 Platinum used to generate the final video.

Enjoy my Video Restoration and MONO-to-STEREO conversion of this priceless snippet of Hollywood’s pre-Code golden era as only Jean Harlow could do!

This video is strictly for entertainment purposes only. No copyright infringement is intended.
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lol, Marie had the last word! Thank you, Bob, for this share.

chrisjeffries
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Great work on the audio and video, Bob! So refreshing to view this classic stuff in much better quality!

smurfstoolsoldiesmusictimemach
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Whatever did she mean by that remark!! LOL 😂 Nice job Bob! 👏👏

robcat
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All very well done, but rather short. I have loads of early mono soundtracks that could be stereo converted, to make it seem as though they already had multi-track stereo machines in those days. But I could hear a bit of pre-Spanish Eyes in the instrumental finale.

paulgoldstein