In The Flesh - Pink Floyd - The Wall - 4K Remastered

"In the Flesh?" and "In the Flesh" are two songs by the English rock band Pink Floyd, released on their 1979 album, The Wall. "In the Flesh?" is the opening track, and introduces the story concept of the album. "In the Flesh" is the twenty-first song of the album, and is a reprise of the first with a choir, different verses and more extended instrumentation.

The title is a reference to the band's 1977 In the Flesh Tour, during which Roger Waters, in frustration, spat at a fan attempting to climb the fence separating the band from the crowd.

"In the Flesh?" introduces the story of Pink, a rock star. It begins with the opening of a rock concert. The lyrics inform us that despite his outward appearances, things are much different "behind these cold eyes" and that if the listener wants to know what's really going on with Pink, you'll "just have to claw your way through this disguise." The song also subtly indicates that Pink's father is killed in a war, with the sound effect of the dive-bomber. Finally, we hear a baby crying, indicating that Pink and his mother are left without a father and husband, respectively (this is expanded upon two songs later, in "Another Brick in the Wall, Part 1").

Later in the album, the reprise marks the first of a series of songs in which Pink, in a drug-induced hallucination, believes himself to be a fascist dictator, crowing over his faithful audience; this particular song is his hallucination that his concerts can be likened to a political rally. He begins exhorting his fans to show their devotion to him by throwing undesirables such as "queers", Jews, and "coons", "up against the wall". He punctuates the end of the song with "If I had my way I'd have all of you shot!". The incited crowd then chant Pink's name as the song segues into "Run Like Hell".

The beginning of the film shows Pink sitting in a locked hotel room. A housekeeper knocks repeatedly, then uses her keys to let herself in. While this happens, Pink's mind is flashing back to a concert, in which a massive crowd of eager concertgoers manage to break down a chained door to the concert venue, and rush inside, trampling each other in the process. The film shows quick cuts of rioting fans and a violent police response, interspersed with scenes of soldiers being bombed in the fields of war. A German Ju 87 Stuka bombs a bunker, in which Pink's father is killed.

The song is performed by Pink (Bob Geldof) in his dictator garb, with the set decorated like a Nazi rally, an insignia of two crossed hammers replacing the swastika. Geldof recorded his own vocals over the original Pink Floyd music track, replacing Waters' vocals.

The film version also uses a mix in which the song's intro was longer, with the E minor power chord riff, and a short David Gilmour solo, repeating twice. This was edited out of the record due to time constraints, but the song has been performed full length in most live performances.

Later in the movie the reprise is used in a similar way as in the album, picking up shortly after Pink's transformation into the Dictator. The song is one of the most radically changed among movie versions, having been converted to an orchestral piece. The Dictator questions the loyalty of the fans, while setting his dogs against the "queers" and "coons" he singles out. As the song ends, the crowd's chant of "Pink Floyd!" is replaced with "Hammer", invoking the film motif of hammers. In addition, both Pink and the crowd display the "Hammer" salute, arms crossed in front of the chest at the wrists like a pair of crossed hammers. In addition, the "Crossed Hammer" logo can be seen everywhere. The song immediately segues into "Run Like Hell".

Input: 720x480 29.97fps (source: DVD)
Output: 3840x2160 59.94fps

All rights reserved to Pink Floyd and Roger Waters. No copyright infringement intended.

#InTheFlesh
#PinkFloyd
#TheWall

[WerewolfEnjoyer]

I still cannot believe Doug Walker saw this and was like "this is just like when people are mean to me on twitter."

[jimtabor]

In the 80s Roger Waters recreated this scene at his concert. He yell out and and actual spot light would shine on some poor random in the crowd. It was intense and awe inspiring at the same time.

[Guy]

No cellphones in sight just people living in the moment

[Sir_Gugharde_Wuglis]

Imagine being new to Pink Floyd and stumbling into this. Big wtf energy.

[theunkownape]

No Doug. No. It wasn´t all that vague. Not vague at all.

[SlippinLaudna]

This is generally the best sequence of the film the set pieces and costumes are so good at illustrating how disconnected pink is from the real world and him becoming the thing that ultimately killed his father is horrific

[jellyfin]

Absolutely timeless Eric Clapton impersonation.

[OscarGomez-cuvm]

Really wish this orchestral version of In The Flesh was released...

[williamboared]

The irony of Germany "investigating" Rodget for performing this in concert ;-/

[Exspazament]

When he says "if I had my way, I'd have all of ya shot!" He literally means everyone. He has become so disconnected from reality and isolated that he wants everyone there to die.

[seangiglio]

This is my favorite rendition of the song. The performance is amazing, you can really feel the fear and anger exploding from Pink.

[skyscottmusic]

2:08 "I've got some bad news for YOU, sunshine!"

Chills down my spine every single time!

[heinrichmerkwurdigliebe]

This is so incredibly brilliant that it’s almost incomprehensible.

[DolenzFan]

I love Bob Geldof instead of Roger Waters in this part. Bob just brings this more light in this. I love how he sounds more crazy and it makes the character more awesome because you see that he has gone even more insane.

[EllieCollie]

This was one of the scariest scenes in movies ever, it perfectly sums up the immediate terror of fascism in one scene and the cult like elements of it.

[pandoranbias]

It's genuinely impressive that the film adaptation of this song is better than the song itself.

[jimbojohnson]

Once this seemed like a horrible memory, now a fear of the future.

[dianamauricio]

This impacted me, I was 12 when i saw this and since then Pinkfloyd became my favorite band! Bob Geldof is marvelous ...

[odeleon]

When humanity cannot tell parody from tragedy then reality truly is lost.

[jackphillips]

One of the most iconic songs ever composed⚒ A perfect portrayal of the constant anxiety between a single individual and the whole of the mass itself, and the tension that erupts from between both.