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Paul Kalkbrenner - Revolte (Klanglos Remix)

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Handpicked Music. Revolte - (Klangos Remix)
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Brilliant remix of Paul Kalkbrenner's huge track Revolte
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Bringing you new, unreleased and classic underground house music with tracks from our favourite artists.
Angelo Ferrari
Bicep
Block & Crown
Camelphat
Crazibiza
Eli Brown
Erick Morillo
Franky Rizardo
Fisher
George Privatti
Guille Placencia
Mark Knight
Oxia
Pawsa
Pirupa
Prok & Fitch
Pleasurekraft
Pink Panda
Patrick topping
Solomun
Solardo
Super Flu
And Many More...
He can rave with the best of them, raise his arms to full dance floor delirium, but his head will never spin right off.
Paul Kalkbrenner’s demanding compositions are full of energy. They exist to take listeners away from the everyday, from the weekly grind, into rapture – into art, ecstasy, absurdity friendship, hope and love.
Just 12 years old when the Berlin wall fell in 1989, Kalkbrenner watched as East Berlin became an anarchic playground for a previously oppressed generation, recently freed from an overbearing state. Techno music became a way of expression and for many, Paul included, the soundtrack of Germany’s reunification. In the autumn of 1992, together with his friend Sascha Funke, he started to DJ at local youth clubs. Very quickly Paul and Sascha were either DJ’ing or obsessively collecting records as electronic dance music’s first tidal wave spilled over dance floors in Berlin’s soon to be legendary clubs Tresor, Planet, Walfisch and e-werk.
At 18, he took a job at German television, spending his days sitting in editing suites watching as staid German political parties held national conferences. This would make him enough money to buy equipment to produce his own tracks. As much fun as DJ’ing was, Paul wanted to play his own music live.
His first tracks were released on Ellen Allien’s newly founded Bpitch Control label in 1999. In contrast to the darker, monotone sounds that characterized techno at the time, Paul’s music was more melodic and enriched with a warm dubby feel. After a number of 12″ singles, Paul realised he was better suited producing albums — in 2000 he released “Superimpose”, followed by “Zeit” one year later. His third album, “Self”, from 2004 resonated beyond the dance floor and took the cinematic quality of his music to new heights — an indication of what was to come next.
In 2004 Berlin-based film director self-confessed Kalkbrenner fan, Hannes Stoehr, got in touch with Paul. He planned to make a movie about an electronic musician in Berlin’s techno scene around 2000 and wanted Paul to produce the movie’s soundtrack. As the script for the film developed, Hannes suggested Paul might be perfect in the starring role.
Together with his old friend Sascha Funke he moved to Aix en Provence for six months. There, far away from Berlin’s dreary winter, Paul produced some of his most diverse and mature compositions yet, which would later make up the soundtrack for Berlin Calling, he started shooting upon his return to Berlin. The result is an unconventional but outstanding performance. Somewhere between Paul Kalkbrenner and his character “Ickarus” an intimate dialogue developed between actor and audience.
Subscribe For The Best Tech House, Disco House & Groove House!
Brilliant remix of Paul Kalkbrenner's huge track Revolte
We do not own the rights to the music on this channel, we are only interested in promoting the best underground tracks and artists. If you own the rights to the music and wish for it to be removed please contact us via Facebook messenger or email us:
Follow Handpicked Music On Facebook:
Bringing you new, unreleased and classic underground house music with tracks from our favourite artists.
Angelo Ferrari
Bicep
Block & Crown
Camelphat
Crazibiza
Eli Brown
Erick Morillo
Franky Rizardo
Fisher
George Privatti
Guille Placencia
Mark Knight
Oxia
Pawsa
Pirupa
Prok & Fitch
Pleasurekraft
Pink Panda
Patrick topping
Solomun
Solardo
Super Flu
And Many More...
He can rave with the best of them, raise his arms to full dance floor delirium, but his head will never spin right off.
Paul Kalkbrenner’s demanding compositions are full of energy. They exist to take listeners away from the everyday, from the weekly grind, into rapture – into art, ecstasy, absurdity friendship, hope and love.
Just 12 years old when the Berlin wall fell in 1989, Kalkbrenner watched as East Berlin became an anarchic playground for a previously oppressed generation, recently freed from an overbearing state. Techno music became a way of expression and for many, Paul included, the soundtrack of Germany’s reunification. In the autumn of 1992, together with his friend Sascha Funke, he started to DJ at local youth clubs. Very quickly Paul and Sascha were either DJ’ing or obsessively collecting records as electronic dance music’s first tidal wave spilled over dance floors in Berlin’s soon to be legendary clubs Tresor, Planet, Walfisch and e-werk.
At 18, he took a job at German television, spending his days sitting in editing suites watching as staid German political parties held national conferences. This would make him enough money to buy equipment to produce his own tracks. As much fun as DJ’ing was, Paul wanted to play his own music live.
His first tracks were released on Ellen Allien’s newly founded Bpitch Control label in 1999. In contrast to the darker, monotone sounds that characterized techno at the time, Paul’s music was more melodic and enriched with a warm dubby feel. After a number of 12″ singles, Paul realised he was better suited producing albums — in 2000 he released “Superimpose”, followed by “Zeit” one year later. His third album, “Self”, from 2004 resonated beyond the dance floor and took the cinematic quality of his music to new heights — an indication of what was to come next.
In 2004 Berlin-based film director self-confessed Kalkbrenner fan, Hannes Stoehr, got in touch with Paul. He planned to make a movie about an electronic musician in Berlin’s techno scene around 2000 and wanted Paul to produce the movie’s soundtrack. As the script for the film developed, Hannes suggested Paul might be perfect in the starring role.
Together with his old friend Sascha Funke he moved to Aix en Provence for six months. There, far away from Berlin’s dreary winter, Paul produced some of his most diverse and mature compositions yet, which would later make up the soundtrack for Berlin Calling, he started shooting upon his return to Berlin. The result is an unconventional but outstanding performance. Somewhere between Paul Kalkbrenner and his character “Ickarus” an intimate dialogue developed between actor and audience.
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