Prelude no. 4 by Heitor Villa-Lobos | Peter Graneis plays a 2013 Gerhard Oldiges at Siccas Guitars

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Brilliant German classical guitarist Peter Graneis plays the famous Prélude no. 4 by Heitor Villa-Lobos on a colourful 2013 Gerhardt Oldiges classical guitar.

🏷️ Recorded on Knobloch Actives Double Silver CX Carbon 400 ADC strings.

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Classical guitars are our passion! We are specialized in the highest quality concert guitars as well as historic guitars from around the world. Our passion for these unique instruments and the joy to give guitarists, passionate players, and collectors the possibility to purchase their own appropriate instrument is the motivation that drives us. Another focus is to work closely with established and young, largely unknown luthiers. Together we want to develop new ideas and share experiences with our customers. We also recorded pieces for many great composers such as Johann Sebastian Bach, Astor Piazzolla and Isaac Albeniz (Asturias). You will also find almost all the classical music composers that wrote for the classical guitar. Make sure to discover Agustin Barrios Mangoré, Manuel Maria Ponce, Heitor Villa-Lobos and many more if you don't know their compositions already You can find our showroom in 76137 Karlsruhe, Roonstr. 31, Germany

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Finally somebody place this prelude with beauty, without destroying the middle section by blazing through it in a blur of notes nobody can understand. PETER, you’re a fantastic guitarist

niceguitar
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Eu ouço essas primeiras notas, aí me vem na cabeça a Marisa Monte cantando "Carnaval... Carnaval." Raphael Rabello era gênio. Só brasileiros entenderão.

andremoreira
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Thanks again for the great video, really happy how it turned out!

PeterGraneis
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🇧🇷 grande maestro e compositor brasileiro 🇧🇷

Aislanzito
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Very nice. Love the harmonics, and the clarity and sustain of the bass strings.

mcknottee
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Incredible player and beautiful guitar 🤩

peter_ermer
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Villa-Lobos. Muito Brasil!! Os violonistas costumam tocar a segunda parte desta peça muito rápido, transformando-a em um teste de velocidade, mas as vezes deixam notas sem tocar. Assim, ficou muito bem tocada. Gostei muito da interpretação.

kakaysouza
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Very nicely played! With all the subtlety this piece deserves! And Siccas is always present to make it sound gorgeous!

Noud
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Fantastic phrasing and tempo! This piece is so often rushed, it`s like everybody is trying to beat bream on a sport or something.

dulcetdossier
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I struggle to think of anyone who makes a better Hauser style guitar than Gerhardt Oldiges. He builds better Hausers than the Hauser family themselves 😂

TokyoShizu
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Oh my God. I feel like a real human now

MMMmmm-imzn
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Omg I want to play this song one day :O so beautiful. Idk what they're called but I love those ringing plucks.

an
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Amazing. Really soft playing. Thank you!

DanielOliveiraViolao
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Make tutorial on spanish guitar fingers style trick and tips and lesson please please please 😊😊

afterlife
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Dear Peter, this is to me very easily, and by far, the ultimate interpretation of this piece. Everything, from the amazing tone of this guitar and its harmonics, to your undescribably subtle interpretation, and your masterful technique, tells me to play and replay this piece, over and over. I discovered this piece more than 20 years ago, under the fingers of Alvarro Pierri- the recording was great, obviously, but you have put it ways beyond. I must confess a Youtube algorithm brought me to this recording because I never heard of you before- I guess I will discover your works in detail in the next days- thanks so much for sharing 🙂

antoinemiot
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Well played! Homage to the Brazilian indian. I can her the vastness of his living space on the plains and jungle. I do agree with the comment about the middle section. Well-managed and expressively used virtuosity in service of the music.

markdegooijer
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Nice interpretation of the villalobos prelude👍

jorgeallen
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great sound on the harmonics and a good speed on the arpeggios of the middle section, the guitar helped you to achieve this good color

cesarbastian
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Une interprétation jamais entendue et personnelle, loin des vitesses maximales souvent utilisées pour ce beau prélude. On peut enfin y entendre toute sa musicalité

rigopaya
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Нотный текст исполнен не корректно. Где лиги и глиссандо прописанные Лобосом ?

polifonia-ty