'What if?: orchestra, choir and piano' by Shiro SAGISU ― Evangelion:3.0+1.0【Thai & English Lyrics】

Title Track :《what if?: orchestra, choir and piano》

Album : Shiro SAGISU Music from "SHIN EVANGELION" / EVANGELION:3.0+1.0
Produced & Composed by Shiro SAGISU
Choir Lyrics : Mike Wyzgowski

Orchestral arranger : Masamichi Amano
Choir arranger : Shiro SAGISU

[ =Shiro SAGISU's Special Choir= ]
Soprano : Catherine Bott
Alto : Deborah Miles-Johnson
Tenor : Andrew Busher
Bass : Michael George

Piano solo : Rumiko Kita
Piano concerto arranger : Masamichi Amano

[ =The London Studio Orchestra= ]
Conductor : John Ashton Thomas
Violin (1st principals) : Perry Montague-Mason, John Mills
Violin (2nd principal) : Emlyn Singleton
Viola (principals) : Peter Lale, Vicci Wardman
Cello (principals) : Anthony Pleeth, Martin Loveday, Nick Cooper
Contrabass (principals) : Chris Laurence, Stacey Watton
Flute : Eliza Marshall, Anna Noakes, Siobhan Grealey, Karen Jones, Jonathan Snowden
Oboe : Davis Thomas, Chris Cowie, John Anderson, David Theodore, Jane Marshall
Clarinet : Michael Whight, Anthony Pike, Jon Carnac, Dave Fuest
Bassoon : Gavin McNaughton, Richard Skinner, Stephen Maw
Horn : David Pyatt, Richard Watkins, Simon Rainer, Mike Thompson, Martin Owen, John Thurgood, Philip Eastop, Nicholas Korth, Nigel Black, Richard Bissill, Laurence Davies, Richard Berry
Trumpet : Derek Watkins, Tom Rees-Roberts, John Barclay, Paul Mayes, Simon Monday, Kate Moore, Philip Cobb, Andy Crowley, Maurice Murphy
Trombone : Mark Nightingale, Pete Moore, Dave Stewart, Andy Wood, Ed Tarrant, Richard Edwards, David Vines
Tuba : Peter Smith, Owen Slade, Nick Hitchens, Lee Tsarmaklis
Harp : Skaila Kanga, Lucy Wakeford, Hugh Webb
Percussion : Frank Ricotti, Gary Kettel, Chris Baron, Paul Clavis, Stephen Henderson, Glyn Matthews, Bill Lockhart

Orchestra Contractor : Lucy Whalley, Jenny Nendick, Isobel Griffiths

[ Shiro SAGISU pays his respects to.. ]
Derek Watkins (1945 - 2013) デレク、素晴らしい演奏ありがとう！
Martin Loveday (1958 - 2020) マーティン、素晴らしい演奏ありがとう！

Librarian : Yuiko SAGISU, Yukiko Tanimoto, Ron Shillingford
Pro Tools Operator : Takashi Kimitsuka, Mayumi Akao

Overseas Studio Affairs : Philip Bagenal, Alison Burton, Fiona Gillot, Jack Doutt
Recording : Jonathan Allen, Simon Rhodes, Rupert Coulson, Tom Bailey, Olga FitzRoy, Jake Jackson, Philip Bagenal, George Murphy, Masahiro Kawaguchi, Shiro SAGISU
Premix : Rupert Coulson
Mixing : Shiro SAGISU
Mastering : Patricia Sullivan
Post Production : Machiko Suzue, Kaori Ishibashi, Masahiro Kawaguchi

Recording Studio Hall (London) : Abbey Road studios, Air Lyndhurst Hall, Eastcote studios
Recording Studio (Paris, Angoulême) : Beethoven, d'Hallwyll, Printz
Recording Studio (Tokyo, Yokohama) : AVACO, King Sekiguchidai studio, Sound City, ∠R, Ro-JAM
Premix : Beethoven
Premix, Post-Production : Sony Nogizaka, ∠R, Ro-JAM
Mixing Studio : Ro-JAM
Mastering : Patricia Sullivan room at Bernie Grundman Mastering

Overseas Management : Shiro SAGISU
Local Management : Fumio Miyata, Mai Sato, Rie Shimasue

Production Manager : Shiro SAGISU, Rie Shimasue, Ro-JAM Ltd.
Executive Producer : Hideaki Anno

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Thanks Artworks by...
― From "Evangelion:3.0+1.0 theatrical release poster" illustrated by Atsushi Nishigori

Translated Thai Lyrics, Edited & Rendering Directed by @S2P_ThaiLyrics_infinity (S2P_p8k)

Thanks for Watching ^ ^
#ShinEvangelion #ShiroSAGISU #TheLondonStudioOrchestra #MikeWyzgowski #SpecialChoir #CatherineBott #DeborahMilesJohnson #AndrewBusher #MichaelGeorge #MasamichiAmano #RumikoKita #Evangelion #シンエヴァンゲリオン #エヴァンゲリオン #エヴァ #鷺巣詩郎 #天野正道 #北るみ子 #S2P_ThaiLyrics #S2P_infinity

◆ All pictures belong to their respective owners. ◆
◆ All music rights go to Shiro SAGISU, Mike Wyzgowski, Khara and King Record Co., Ltd. ◆

[SP_ThaiLyrics_infinity]

*Click on "CC button" to see Portuguese, Spanish & Indonesian lyrics* :)
こんにちは日本、私がこのビデオに日本語字幕を追加しました。


*Fact* : According to Shiro SAGISU's liner notes, SAGISU had written a prototype for composition of "What if?" since 1980s and then he devoloped the melody for it in 2007 during the production of "Evangelion:1.0 You Are (Not) Alone". SAGISU mentioned that he originally devoloped "What if?" for a vocal song in 2018 during the production of Evangelion:3.0+1.0/Shin Evangelion. SAGISU additionally explained that director Hideaki Anno intended to use the pop-oriented version for the visuals. However, when he listened to the last-minute recording of the full orchestra version, which was barely completed in February 2020 when London was still somewhat normal, it was immediately replaced.

*Support artist by buying this music through these links down below* (≧◡≦)

or listen to this music on *Spotify* / *Apple Music* / *YouTube Music* (´ ω `♡)

Join "S2P community" discord by clicking on the link here below ^~^
Always welcome everyone who's admiring works of art + SAGISU's music ^ ^

[PerfectTheCircle]

"KOMM, SUSSER TOD" is so depressing because the Third Impact was rooted in Shinji's nihilistic depression, his desire to die and destroy the world that caused him so much pain.

"What If" is joyous and glorious because the Additional Impact is rooted in Gendo's belief that he's going to be re-united with Yui. It's almost an emotional mirror image of Shinji's impact, but they both are alike in their inability to move on from their pain and loneliness.

[wzxxzw]

RIP Motomu Kiyokawa sensei, you and your brilliant performance as Fuyutsuki will be missed

[fbiundercoverinhh]

Finally, the lyrics I've been waiting for.
I will really miss Misato on this point.
Thanks as always bro.

[lovemyself]

This is the point where an anime ost can be same level as classical music

[scattershotjd]

The Uncanny Valley from seeing the giant cgi Rei head, the beautiful lyrics with hints of Komm Susser Todd in the back, and the scope of seeing how huge all of this is just amazing.

[Urbanlurker]

This song moves me emotionally.
It's been one year since I've broken up with my ex over feeling like I wasn't good enough for her. In respect I've let someone go for absolutely no good reason and she has moved on.
A blunder I'll never forget.
And now my mother's been in the hospital for several days recently.

My message to you is always love those that you can and cherish cus you'll never know what'll happen.

[TkOHarley]

The image with Shinji and Rei soothes my soul

[katshura]

If we haven’t said goodbye? You’d your love still be as good as mine? Do I still think love is impossible to find?
Damn, its a question that answered itself. Amazing.

[azukaritas]

Best soundtrack with the best scene of the movie IMO

[jaydedartsph]

I was overwhelmed with awe and sadness when this played in the movie.

[herrice]

And this is the part of the film where I broke down in tears.

Absolutely adore Evangelion, in both its forms.

[hwtwpmk]

この高橋洋子さんver の一部がEVA-EXTRA で公開されてて聴いてみたけどクッソ鳥肌立った。
是非、そちらのほうも👍

[scattershotjd]

I was (and still am) a huge ReiShin fan, but I'm glad that Shinji got a happy ending with Mari. That piece with long haired Rei is beautiful.

[jair]

That scene with the evas walking and then transforming to headless rei was actually mesmerizing and beautiful.
From 1:15 to 1:45 is my favorite part, it felt like watching something from Fantasia

[rproductions]

Hideaki Anno made the right call to ask for another version to SAGISU, this one is MUCH better than the possible original, (I consider the TAKAHASHI version the original) it has a perfect culmination feeling, and a glorious one, not a depression train like Komm Susser Todd was, we can see how all those dark years are way behind Hideaki Anno, I'll always see this movie as his way of telling the world: I got better, much better and so can all of you!

[nelsonsmissingarm]

I just realized how similar this is to the first minute of Tchaikovsky’s Piano Concerto No. 1

[a.p.e.x]

Them putting this over the 5th Impact is AMAZING

[alansiles]

Llegamos a un posible final, espero verlos pronto, adios evangelion, mientas tanto contemplo este glorioso y gratificante soundtrack.

[ItsRen.]

They should've played it at the end of the movie cuz when you hear it makes you feel so many feelings at the same time, bittersweet, empathy and melancholia, oh god it has a perfect culmination magnificent and touches the heart lightly...
It's just a masterpiece and the world didn't even realize it, so sad.