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[50 days of chops] - Day 32 - Syncopated 16th Note Triplets - Siros Vaziri
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A new chop uploaded every day for 50 days. This series originally comes from Instagram @sirosvaziri #50daysofchops #chopoftheday
Sticking: (R+K)llrrl (R+K)Lrrll looped two times and ending with a (R+K) on the crash. Played as 16th note triplets. Starts one 16th note triplet BEFORE beat 1 in a bar, and ends one 16th note triplet BEFORE beat 1 in the next bar.
This chop has a really groovy feel to it because the syncopated accents before every beat in the bar. It's a surprisingly useful chop/lick to throw in when you're playing swung grooves, as it doesn't lose the backbeat and it repeats itself so it's easy to follow. You just wanna stretch the pocket, not break it!
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Subscribe here on YouTube and follow me on other social media for more videos and other drum content!
Instagram @sirosvaziri
Twitter @sirosvaziri
------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------
I proudly endorse King Drums, Drumtacs and Sound & Communication in-ear monitors. I also love and support Meinl cymbals, Evans drumheads, Vic Firth sticks and Gibraltar Hardware.
Meinl cymbals, from left to right:
15" Byzance Dark Hihats
18" Byzance Limited Edition Dual Crash
22" Byzance Limited Edition Brilliant Trash Crash / Ride
20" Byzance Limited Edition Extra Dry Medium Thin Crash / Ride
12" Generation X Filter China stacked on top of an 18" Classics Custom Trash China
King Drums custom 13x7 maple snare
Evans drumheads:
EC2 Clear batter / Resonant Glass on the rack tom, 16" EMAD batter / EC reso on the floor tom, Heavyweight batter / 300 Hazy reso on the snare, Heavyweight batter / EQ3 Coated reso on the bass drum.
Vic Firth Signature Danny Carey sticks
Drumtacs drum dampeners on the snare and rack tom
Pearl Demon Drive double pedals with Tama Iron Cobra wood beaters
Sonitus Acoustics The Kicker 2.0 muffling system inside the bass drum
Gibraltar hardware with a few Pearl hardware parts (hihatstand and a few clamps)
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For anyone interested, this is the mic setup I'm using:
Audix D6 pointing in a few inches inside the bass drum
Audix i-5's on the snare, one on top and one underneath
Sennheiser e604's on both toms
AKG C 391 B a few inches underneath the hihat
Two Samson C01 mics placed behind me to my left and right, pointing in towards each side of the kit.
All mics are run through a Phonic 808 Firefly U audio interface, and hooked up via USB to my Asus laptop where the audio is recorded and processed in Cubase 7.
A new chop uploaded every day for 50 days. This series originally comes from Instagram @sirosvaziri #50daysofchops #chopoftheday
Sticking: (R+K)llrrl (R+K)Lrrll looped two times and ending with a (R+K) on the crash. Played as 16th note triplets. Starts one 16th note triplet BEFORE beat 1 in a bar, and ends one 16th note triplet BEFORE beat 1 in the next bar.
This chop has a really groovy feel to it because the syncopated accents before every beat in the bar. It's a surprisingly useful chop/lick to throw in when you're playing swung grooves, as it doesn't lose the backbeat and it repeats itself so it's easy to follow. You just wanna stretch the pocket, not break it!
------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------
Subscribe here on YouTube and follow me on other social media for more videos and other drum content!
Instagram @sirosvaziri
Twitter @sirosvaziri
------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------
I proudly endorse King Drums, Drumtacs and Sound & Communication in-ear monitors. I also love and support Meinl cymbals, Evans drumheads, Vic Firth sticks and Gibraltar Hardware.
Meinl cymbals, from left to right:
15" Byzance Dark Hihats
18" Byzance Limited Edition Dual Crash
22" Byzance Limited Edition Brilliant Trash Crash / Ride
20" Byzance Limited Edition Extra Dry Medium Thin Crash / Ride
12" Generation X Filter China stacked on top of an 18" Classics Custom Trash China
King Drums custom 13x7 maple snare
Evans drumheads:
EC2 Clear batter / Resonant Glass on the rack tom, 16" EMAD batter / EC reso on the floor tom, Heavyweight batter / 300 Hazy reso on the snare, Heavyweight batter / EQ3 Coated reso on the bass drum.
Vic Firth Signature Danny Carey sticks
Drumtacs drum dampeners on the snare and rack tom
Pearl Demon Drive double pedals with Tama Iron Cobra wood beaters
Sonitus Acoustics The Kicker 2.0 muffling system inside the bass drum
Gibraltar hardware with a few Pearl hardware parts (hihatstand and a few clamps)
------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------
For anyone interested, this is the mic setup I'm using:
Audix D6 pointing in a few inches inside the bass drum
Audix i-5's on the snare, one on top and one underneath
Sennheiser e604's on both toms
AKG C 391 B a few inches underneath the hihat
Two Samson C01 mics placed behind me to my left and right, pointing in towards each side of the kit.
All mics are run through a Phonic 808 Firefly U audio interface, and hooked up via USB to my Asus laptop where the audio is recorded and processed in Cubase 7.
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