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10 OpAmps tested with HQ sound demo - Op-Amp Rolling - Find the hidden gem !
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10 OpAmps tested with HQ sound demo - Op-Amp Rolling -Find the hidden gem !
In this video I am testing following opamps:
Sparkos 3602, LHY Discrete Double Opa, Parallel NE5532, LT1028, NE5532, Staccato OSH-DHb, Muses 02, Muses 8920, Oracle 02, Burson v7 Vivid, LHY Discrete Double Opa
I record the sound samples with my Schoeps CMC6Mk4 Microphones and 32 Bit Float recorder.
In this video there is the same sound samples played on each of the Op Amps - 1 minute for each sample on each Op Amp
Join this channel to get access to perks:
SYSTEM IN THE VIDEO:
STREAMER: PC with HQ PLAYER for Upsampling to DSD512 on the fly Using Tidal and Roon
DAC: T+A DAC 200
CABLES: Audiomica Excellence USB, VirtualHiFi interconnects and speaker cables
FOOTERS: VirtualHiFi Vibron
My Listening session notes
NE5532 - overall good sound a benchmark for the opamps.
Sparkos - open nice reverbs of strings , rich vocals, nice energy, big precision, good transients speed, Musical character
Parallel ne5532 - Big scale, full rich sound with plenty of definitlion. Great immersion, Big heat generator Overall the best bang for the buck performer ;)
1028 - big scale, Nice well balanced Opamp
LHY Discrete - big bold rich but airy with great detail, big scale big size, analogue but not boring - very impressive, deep soft but controlled bass very musical
Stacatto -rich relaxed analogue, not as wide soundsage but good depth, not the best reverb in the air
Muses 02 - rich, organic, wide, decent soundstage, non aggressive highs, overall good opamp for making sound a bit more relaxed
Muses 8920 - rich but muddy, blurred, little reverb, big vocals.
Burson V7 Vivid - bold wide sound with reverbs, rich vocals, big air, tight bass great first impression quite wide soundstage, precise big vocals, in your face type of sound, musical character
Oracle 02 - nice colour, quite rich, a bit relaxed, full, nice separation nice air in the guitar, great for the price - 7$ Pricetag make it a definite candidate for a test
WARNING !!!!
Here is one comment (Thank you Kraken once again :) with expiation the paralysation of the Opamps, so test it at your own risk ;)
“If he literally just connected the legs of the chips, well, he was lucky. This op-amp survived that.
But don’t rush to accept a simple explanation as a recipe for all occasions. I insist that doing so is not correct. The total current consumption should increase significantly. Connecting the outputs directly is analogous to a short circuit. Most likely, in this design the through current of the output stages of both op-amps has increased significantly. But not to a critical value - operational amplifiers usually have an output current limitation. But increasing the current through the output stage usually has a beneficial effect on quality. In general, there are prerequisites for an increase in quality. But the method is barbaric."
00:00 - OPAMP BATTLE INTRO
01:53 - Track 1 - OPA A
02:53 - Track 1 - OPA B
03:53 - Track 1 - OPA C
04:53 - Track 1 - OPA D
05:53 - Track 1 - OPA E
06:53 - Track 1 - OPA F
07:53 - Track 1 - OPA G
08:53 - Track 1 - OPA H
09:53 - Track 1 - OPA I
10:53 - Track 1 - OPA J
11:54 - YT Compression is update
17:04 - Track 2 - OPA A
18:04 - Track 2 - OPA B
19:04 - Track 2 - OPA C
20:04 - Track 2 - OPA D
21:04 - Track 2 - OPA E
22:04 - Track 2 - OPA F
23:04 - Track 2 - OPA G
24:04 - Track 2 - OPA H
25:04 - Track 2 - OPA I
26:04 - Track 2 - OPA J
27:05 - Track 3 - OPA A
28:05 - Track 3 - OPA B
29:05 - Track 3 - OPA C
30:05 - Track 3 - OPA D
31:05 - Track 3 - OPA E
32:05 - Track 3 - OPA F
33:05 - Track 3 - OPA G
34:05 - Track 3 - OPA H
35:05 - Track 3 - OPA I
36:05 - Track 3 - OPA J
37:05 - Track 4 - OPA A
38:05 - Track 4 - OPA B
39:05 - Track 4 - OPA C
40:05 - Track 4 - OPA D
41:05 - Track 4 - OPA E
42:05 - Track 4 - OPA F
43:05 - Track 4 - OPA G
44:05 - Track 4 - OPA H
45:05 - Track 4 - OPA I
46:05 - Track 4 - OPA J
47:05 - Track 5 - OPA A
48:05 - Track 5 - OPA B
49:05 - Track 5 - OPA C
50:05 - Track 5 - OPA D
51:05 - Track 5 - OPA E
52:05 - Track 5 - OPA F
53:05 - Track 5 - OPA G
54:05 - Track 5 - OPA H
55:05 - Track 5 - OPA I
56:05 - Track 5 - OPA J
57:05 - OPAMP BATTLE Conclusions
In this video I am testing following opamps:
Sparkos 3602, LHY Discrete Double Opa, Parallel NE5532, LT1028, NE5532, Staccato OSH-DHb, Muses 02, Muses 8920, Oracle 02, Burson v7 Vivid, LHY Discrete Double Opa
I record the sound samples with my Schoeps CMC6Mk4 Microphones and 32 Bit Float recorder.
In this video there is the same sound samples played on each of the Op Amps - 1 minute for each sample on each Op Amp
Join this channel to get access to perks:
SYSTEM IN THE VIDEO:
STREAMER: PC with HQ PLAYER for Upsampling to DSD512 on the fly Using Tidal and Roon
DAC: T+A DAC 200
CABLES: Audiomica Excellence USB, VirtualHiFi interconnects and speaker cables
FOOTERS: VirtualHiFi Vibron
My Listening session notes
NE5532 - overall good sound a benchmark for the opamps.
Sparkos - open nice reverbs of strings , rich vocals, nice energy, big precision, good transients speed, Musical character
Parallel ne5532 - Big scale, full rich sound with plenty of definitlion. Great immersion, Big heat generator Overall the best bang for the buck performer ;)
1028 - big scale, Nice well balanced Opamp
LHY Discrete - big bold rich but airy with great detail, big scale big size, analogue but not boring - very impressive, deep soft but controlled bass very musical
Stacatto -rich relaxed analogue, not as wide soundsage but good depth, not the best reverb in the air
Muses 02 - rich, organic, wide, decent soundstage, non aggressive highs, overall good opamp for making sound a bit more relaxed
Muses 8920 - rich but muddy, blurred, little reverb, big vocals.
Burson V7 Vivid - bold wide sound with reverbs, rich vocals, big air, tight bass great first impression quite wide soundstage, precise big vocals, in your face type of sound, musical character
Oracle 02 - nice colour, quite rich, a bit relaxed, full, nice separation nice air in the guitar, great for the price - 7$ Pricetag make it a definite candidate for a test
WARNING !!!!
Here is one comment (Thank you Kraken once again :) with expiation the paralysation of the Opamps, so test it at your own risk ;)
“If he literally just connected the legs of the chips, well, he was lucky. This op-amp survived that.
But don’t rush to accept a simple explanation as a recipe for all occasions. I insist that doing so is not correct. The total current consumption should increase significantly. Connecting the outputs directly is analogous to a short circuit. Most likely, in this design the through current of the output stages of both op-amps has increased significantly. But not to a critical value - operational amplifiers usually have an output current limitation. But increasing the current through the output stage usually has a beneficial effect on quality. In general, there are prerequisites for an increase in quality. But the method is barbaric."
00:00 - OPAMP BATTLE INTRO
01:53 - Track 1 - OPA A
02:53 - Track 1 - OPA B
03:53 - Track 1 - OPA C
04:53 - Track 1 - OPA D
05:53 - Track 1 - OPA E
06:53 - Track 1 - OPA F
07:53 - Track 1 - OPA G
08:53 - Track 1 - OPA H
09:53 - Track 1 - OPA I
10:53 - Track 1 - OPA J
11:54 - YT Compression is update
17:04 - Track 2 - OPA A
18:04 - Track 2 - OPA B
19:04 - Track 2 - OPA C
20:04 - Track 2 - OPA D
21:04 - Track 2 - OPA E
22:04 - Track 2 - OPA F
23:04 - Track 2 - OPA G
24:04 - Track 2 - OPA H
25:04 - Track 2 - OPA I
26:04 - Track 2 - OPA J
27:05 - Track 3 - OPA A
28:05 - Track 3 - OPA B
29:05 - Track 3 - OPA C
30:05 - Track 3 - OPA D
31:05 - Track 3 - OPA E
32:05 - Track 3 - OPA F
33:05 - Track 3 - OPA G
34:05 - Track 3 - OPA H
35:05 - Track 3 - OPA I
36:05 - Track 3 - OPA J
37:05 - Track 4 - OPA A
38:05 - Track 4 - OPA B
39:05 - Track 4 - OPA C
40:05 - Track 4 - OPA D
41:05 - Track 4 - OPA E
42:05 - Track 4 - OPA F
43:05 - Track 4 - OPA G
44:05 - Track 4 - OPA H
45:05 - Track 4 - OPA I
46:05 - Track 4 - OPA J
47:05 - Track 5 - OPA A
48:05 - Track 5 - OPA B
49:05 - Track 5 - OPA C
50:05 - Track 5 - OPA D
51:05 - Track 5 - OPA E
52:05 - Track 5 - OPA F
53:05 - Track 5 - OPA G
54:05 - Track 5 - OPA H
55:05 - Track 5 - OPA I
56:05 - Track 5 - OPA J
57:05 - OPAMP BATTLE Conclusions
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