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Zadok the Priest - Handel Electrifies the Coronation!
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"Handel is the greatest composer who ever lived. I would uncover my head and kneel down at his tomb." - Ludwig van Beethoven in 1824
Handel’s Zadok the Priest was composed for the coronation of George II in Westminster Abbey in 1727 and has been performed in every British coronation since that date. The first performance was something of a disaster: having forgotten to sing another piece, the choir sang the anthem at the wrong point in the service, and another performance during the service was described as ending “in confusion”.
The reason for Zadok the Priest’s enduring popularity probably has something to do with its marvelous blend of musical elements: the unexpected hush of the opening, the stately tread of the music, its style derived from keyboard improvisation, with its softly expressive string arpeggios, taking the listener on a journey of inexorable but slightly unexpected harmonic shifts, building in intensity until the choir and trumpets finally burst out in regal splendor. The music that follows (rather like monarchy itself) is glittering and festive but less interesting than the build-up to its arrival.
You may also be interested to see Handel's music enhancing the ritual theatre of the coronation service in this footage of King Charles III's coronation in Westminster Abbey on 6th May, 2023:
Produced and directed by Ian Coulter & Matthew King
⦿ BUY US A Kofi ⦿
⦿ Support us on PayPal ⦿
⦿ SUBSCRIBE TO THIS CHANNEL ⦿
"Handel is the greatest composer who ever lived. I would uncover my head and kneel down at his tomb." - Ludwig van Beethoven in 1824
Handel’s Zadok the Priest was composed for the coronation of George II in Westminster Abbey in 1727 and has been performed in every British coronation since that date. The first performance was something of a disaster: having forgotten to sing another piece, the choir sang the anthem at the wrong point in the service, and another performance during the service was described as ending “in confusion”.
The reason for Zadok the Priest’s enduring popularity probably has something to do with its marvelous blend of musical elements: the unexpected hush of the opening, the stately tread of the music, its style derived from keyboard improvisation, with its softly expressive string arpeggios, taking the listener on a journey of inexorable but slightly unexpected harmonic shifts, building in intensity until the choir and trumpets finally burst out in regal splendor. The music that follows (rather like monarchy itself) is glittering and festive but less interesting than the build-up to its arrival.
You may also be interested to see Handel's music enhancing the ritual theatre of the coronation service in this footage of King Charles III's coronation in Westminster Abbey on 6th May, 2023:
Produced and directed by Ian Coulter & Matthew King
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