The Westminster Cathedral |AKA| The Cathedral of the Most Precious Blood of Our Lord Jesus | London

"HISTORY"
Westminster Cathedral is the mother church of the Roman Catholic Church in England and Wales. It is the largest Catholic Church in the UK and the seat of the Archbishop of Westminster.

Westminster Cathedral is the 50th largest church in the world in terms of interior area (5,017m²), seating up to 3000 people. It is the 38th largest Catholic Church in the world in terms of interior area.

The site on which the cathedral stands in the City of Westminster was purchased by the Diocese of Westminster in 1885, and construction completed in 1903.

In the late 19th century, the Roman Catholic Church's hierarchy had only recently been restored in England and Wales, and it was in memory of Cardinal Wiseman (who died in 1865, and was the first Archbishop of Westminster from 1850) that the first substantial sum of money was raised for the new cathedral. The land was acquired in 1884 by Wiseman's successor, Cardinal Manning, having previously been occupied by the second Tothill Fields Bridewell prison.

After two false starts in 1867 (under architect Henry Clutton) and 1892 (architect Baron von Herstel), construction started in 1895 under Manning's successor, the third archbishop, Cardinal Vaughan, with John Francis Bentley as architect, and built in a style heavily influenced by Byzantine architecture.

The cathedral opened in 1903, a year after Bentley's death. One of the first public services in the cathedral was Cardinal Vaughan's requiem; the cardinal died on 19 June 1903.[7] For reasons of economy, the decoration of the interior had hardly been started and still much remained to be completed. Under the laws of the Catholic Church at the time, no place of worship could be consecrated unless free from debt and having its fabric completed. The consecration ceremony took place on 28 June 1910, although the interior was never finished.

In 1895, the cathedral was dedicated to the Most Precious Blood of Our Lord Jesus Christ. This is indicated by the Latin dedication above the portal arch: Domine Jesus Rex et Redemptor per Sanguinem tuum salva nos (English translation: "Lord Jesus, King and Redeemer, heal us through your blood"). The additional patrons are St Mary, the mother of Jesus, St Joseph, his foster father, and St Peter his reputed vicar. The cathedral also has numerous secondary patrons: St Augustine and all British saints, St Patrick and all saints of Ireland.

In planning the nave, a system of supports was adopted not unlike that to be seen in most Gothic cathedrals, where huge, yet narrow, buttresses are projected at intervals, and stiffened by transverse walls, arcading and vaulting. Unlike in a Gothic cathedral, at Westminster they are limited to the interior. The main piers and transverse arches that support the domes divide the nave into three bays, each about 395 square metres (4,250 sq ft). The domes rest on the arches at a height of 27 metres (89 ft) from the floor, the total internal height being 34 metres (112 ft).

In selecting the pendentive type of dome, of shallow concavity, for the main roofing, weight and pressure have been reduced to a minimum. The domes and pendentures are formed of concrete, and as extraneous roofs of timber were dispensed with, it was necessary to provide a thin independent outer shell of impervious stone. The concrete flat roofing around the domes is covered with asphalt. The sanctuary is essentially Byzantine in its system of construction. The extensions that open out on all sides make the corona of the dome seem independent of support.

The eastern termination of the cathedral suggests the Romanesque, or Lombardic style of Northern Italy. The crypt with openings into the sanctuary, thus closely following the Basilica of Sant'Ambrogio, Milan, the open colonnade under the eaves, the timber roof following the curve of the apex, are all familiar features. The large buttresses resist the pressure of a vault 14.5-metre (48 ft) in span. Although the cruciform plan is not very noticeable inside the building, it is emphasised outside by the boldly projecting transepts. These with their twin gables, slated roofs, and square turrets with pyramidal stone cappings suggest a Norman prototype in striking contrast to the rest of the design.

The main structural parts of the building are of brick and concrete, the latter material being used for the vaulting and domes of graduated thickness and complicated curve. Following Byzantine tradition, the interior was designed with a view to the application of marble and mosaic. Throughout the exterior, the lavish introduction of white stone bands in connection with the red brickwork (itself quite common in the immediate area) produces an impression quite foreign to the British eye. The bricks were hand-moulded and delivered by Thomas Lawrence Brickworks in Bracknell.