Jazz - 'Time After Time' by Sammy Cahn and Jule Styne (1947)

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Jazz - "Time After Time" by Sammy Cahn and Jule Styne (1947)

Notes: Another outstanding piece by Doug McKenzie

Notes: "Time After Time" is a jazz standard written by Sammy Cahn and Jule Styne in 1947.

It was introduced by Frank Sinatra (and subsequently by Kathryn Grayson) in the film It Happened in Brooklyn.

Source...WIKIPEDIA

Tech Notes: Please listen in HD 720P or 1080P mode for the best audio experience.

Please check out my fellow MIDKAR members YouTube channels:

---------TRACK / ARRANGEMENT INFORMATION----------

TRACKS:
1. VE Grand Piano Equal Production
2. IR Alchemy Upright Bass
3. Kit-BrushSizzle UT LFO
4.
5.
6.
7.
8.
9.
10.
11.
12.
13.
14.
15.
16.
All tracks using FluxSTTools for Pan and Width, BX-Meter for level

Sends/Returns:
1. CRV: Real Places - Club Med
2.
3.
Master Track: UT EQ8 CR LM CRV FluxSTT BX-Meter

Starting BPM: 130 +20/- 40

Copyrights, Attributions, and other stuff:

Midi composition source: Doug's DVD

Sequencer or Performer: Unknown for now.

----------------SUPPORT INFORMATION-------------------------

HARDWARE/SOFTWARE:

Sennheiser HD280 Pro
Audio Technica - ATH-M50S
Audio App: Ableton Live 9 Suite V9.0
VST: Alchemy Player, Zebralettte, Autogun, Podolski, Synth 1, LFX-1310, Triple Cheese, Flux STTools, Stereo Tools 7.1
MaxforLive V6.1
Yamaha Motif XS Rack Sound Module
Melodyne Essential
MIDI Control Surface: Maudio Axiom 49 Gen 2
Drum Pad: Alesis Control Pad
Audio Interface: Focusrite Saffire 6 USB
Sweet Midi Player V2.5.5
NCH Wavepad Sound Editor V5.33
Notation Player V2.6.3
MixMeister BPM Analyser
GNMIDI Midi Utility V 2.56
JASC Paint Shop Pro 9
NCH VideoPad Video Editor 3.02
Ignite by AIR V1.1
Vocaloid 3
Plugin Alliance: Bx Meter

CODE -----DESCRIPTION

AE -----AUDIO EFFECT
AF-----AUTOFILTER
AMP----AMPLIFIER
AP-----AUTOPAN
CB-----CABINET
CH-----CHORUS EFFECT
CR-----COMPRESSOR
ER-----EROSION
EQ X---EQUALIZATION X
FD-----FILTER DELAY
FG-----FLANGER
FS-----FREQ SHIFTER
GT-----GATE
GD-----GRAIN DELAY
LM-----LIMITER
MD-----MULTIBAND DYNAMICS
OD-----OVERDRIVE
PH-----PHASER
PP-----PING PONG
RN-----RESONATORS
RV-----REVERB
RX-----REDUX
SA-----SPECTRUM ANALYSER
SD-----SIMPLE DELAY
ST-----SATURATOR
UT-----UTILITY
VD-----VINYL DISTORTAION
VO-----VOCODER

ME ----MIDI AFFECT
AR-----ARPEGGIATOR
NL-----NOTE LENGTH
PT-----PITCH
RD-----RANDOM
SC-----SCALE
VE-----VELOCITY

AL9----AUDIO EFFECTS
GC-----GLUE COMPRESSOR

M4L---AUDIO AFFECTS
CRV---CONVOLUTION REVERB (Based on real world locations)
M4L-LFO----Max for Live: LOW FREQUENCY OSCILLATOR
M4L-DL------Max for Live: DELAY LINE L/R
M4L-EF------Max for Live: Envelope Follower
M4L-XLFO---Max for Live: LFO on Steroids

AT-----AUTOMATION
CN-----CENTER
DL XX--DELAY IN MS
DR-----DRUM RACK
DT XX--DETUNE XX IN CNTS
LXX-----LEFT 00- 50
RXX-----RIGHT 00- 50
ER-----EFFECTS RACK
IR-----INSTRUMENT RACK
PB-----PITCH BEND
VST----INSTRUMENT PLUGIN
XF-----CROSS FADER
BXM---BX Meter
AER Basic -- Audio Effects Rack with AF AP RV UT
All tracks using FluxSTTools

------------------------OTHER COMMENTS----------------------------

Tempo and Master volume automation.
Utility, EQ, Compressor and Limiter in master track.
Audio file is uncompressed wav file, sample rate 44100, Bit Depth 24.
Best if you listen to the audio with quality monitor headphones.
Your comments on technique, sound quality, or content are always welcome.