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7. The Piper's Call - A Song for The Slaughter
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CW: Blood, Dismemberment, Glorification of violence, Gore, Hemophobia, Murder, Violence, War
LYRICS:
Come, my soldiers, heed this song
Take up arms my rabid band
Fuel your fury, keep it strong
Turn the world to no-man’s land
We will come with weapons raised
Tasting metal, seeing red
King of Carnage be you praised
Pied with entrails of the dead
Seethe, my soldiers, harness wrath
Let its power putrefy
Meet your kin on the warpath:
Share your rage and unify
We will seethe, our pity shed
Purpose to our anger yoked
Ruthless legion violence-fed,
Iron-willed, and crimson-soaked.
Sing, my soldiers, lend your voice
Pipe a manic, clamorous hymn
Howl at rivals and rejoice
As you tear them limb from limb
We will sing through throats scraped raw
Descant over dying cries
Murder is our Maestro’s law
We will sing and war will rise
Charge, my soldiers, swarm their trench
Reap the pain on which you thrive
Thirst that only blood can quench
Guarantees that none survive
We will charge and grant no grace
Clemency’s a craven grift
Viewing Slaughter’s trinal face
Is your last and greatest gift.
Come my soldiers, heed this song
Take up arms my rabid band
Fuel your frenzy, keep it strong
Turn the world to no-man’s land
We will come and heed your song
Take up arms, your rabid band
Fuel our frenzy, keep it strong
Turn the world to no-man’s land (etc.)
Light SPOILERS for season 1 ahead:
Another one where I was really struggling to find a theme/perspective I wanted to follow. And once again, the good folks at the TMA wiki page came through. I remembered who The Piper was, and that he showed up during war. I did not remember he’s got a bunch of arms, and 3 fucking faces. 3 faces immediately translated for me as ‘3 voices’ which meant ‘3 part harmony’ which is good because that’s something I can do (unlike, say, play the bagpipes).
I wanted this to have sort of a simplistic/repetitive thing going because I still very much associated this creature with The Pied Piper and in turn I associate that with nursery-rhyme/fable-type songs. I think that’s where the call and response thing came from – picturing a line of kids singing along to a friendly tune. But make it e v i l.
Initially I was worried it was a bit too chipper, so I tried to ground it with the harmonies to give it some oomph. This one also reminded me how miffed I am I don’t know how to music with various instruments, or create sound digitally. I sort of got over that with most of the songs, but for this one I really, really wish I could have had bagpipes. Oh well.
It is very interesting to me that of all the Fears, this is the one that seems to be tied most directly to music (another fact gifted to me by the TMA wiki). I would love to know why that is. The best I can guess is that music can really fire you up? Like sometimes you hear a song so hardcore you feel like you could rip the roof off a house. Something like that, maybe?
Initially, I thought the pipes being referred to were recorders, not bagpipes and that made sense to me. Because I had to play the recorder as a kid in elementary school. Does this ring a repressed bell for anyone? 30 children with no breath control simultaneously failing to shriek out hot cross buns into a cheap woodwind at a pitch that could shatter glass? Nothing will drive you into a murderous rage faster. A grade 2 choir could give The Piper a run for his fucking money, I’ll tell you what.
If you were to scroll back a few years on my channel you would find exclusively poorly recorded rounds. I love rounds. I’m such a sucker for them. And I was hoping to use one in this collection somewhere, but the problem is, rounds are kind of notoriously difficult to write and wrap your head around – especially if you have a tenuous-at-best grasp on music theory. So I got lucky, basically. Something must have twigged with me after I banged out a rudimentary melody for this and I went “wait….wait a minute…really? Does it…is it…does it work???” And with a few edits it did, in fact, work as a round. This wasn’t the song I expected or planned to use a round in, but that’s what it became because I didn’t know if it would happen again.
At the risk of sounding deeply pretentious, I do quite like how it ended up kind of working as a musical metaphor for the endless cycle of violence (or what have you).
Okay, I’ll put down my brandy snifter and monocle now.
LYRICS:
Come, my soldiers, heed this song
Take up arms my rabid band
Fuel your fury, keep it strong
Turn the world to no-man’s land
We will come with weapons raised
Tasting metal, seeing red
King of Carnage be you praised
Pied with entrails of the dead
Seethe, my soldiers, harness wrath
Let its power putrefy
Meet your kin on the warpath:
Share your rage and unify
We will seethe, our pity shed
Purpose to our anger yoked
Ruthless legion violence-fed,
Iron-willed, and crimson-soaked.
Sing, my soldiers, lend your voice
Pipe a manic, clamorous hymn
Howl at rivals and rejoice
As you tear them limb from limb
We will sing through throats scraped raw
Descant over dying cries
Murder is our Maestro’s law
We will sing and war will rise
Charge, my soldiers, swarm their trench
Reap the pain on which you thrive
Thirst that only blood can quench
Guarantees that none survive
We will charge and grant no grace
Clemency’s a craven grift
Viewing Slaughter’s trinal face
Is your last and greatest gift.
Come my soldiers, heed this song
Take up arms my rabid band
Fuel your frenzy, keep it strong
Turn the world to no-man’s land
We will come and heed your song
Take up arms, your rabid band
Fuel our frenzy, keep it strong
Turn the world to no-man’s land (etc.)
Light SPOILERS for season 1 ahead:
Another one where I was really struggling to find a theme/perspective I wanted to follow. And once again, the good folks at the TMA wiki page came through. I remembered who The Piper was, and that he showed up during war. I did not remember he’s got a bunch of arms, and 3 fucking faces. 3 faces immediately translated for me as ‘3 voices’ which meant ‘3 part harmony’ which is good because that’s something I can do (unlike, say, play the bagpipes).
I wanted this to have sort of a simplistic/repetitive thing going because I still very much associated this creature with The Pied Piper and in turn I associate that with nursery-rhyme/fable-type songs. I think that’s where the call and response thing came from – picturing a line of kids singing along to a friendly tune. But make it e v i l.
Initially I was worried it was a bit too chipper, so I tried to ground it with the harmonies to give it some oomph. This one also reminded me how miffed I am I don’t know how to music with various instruments, or create sound digitally. I sort of got over that with most of the songs, but for this one I really, really wish I could have had bagpipes. Oh well.
It is very interesting to me that of all the Fears, this is the one that seems to be tied most directly to music (another fact gifted to me by the TMA wiki). I would love to know why that is. The best I can guess is that music can really fire you up? Like sometimes you hear a song so hardcore you feel like you could rip the roof off a house. Something like that, maybe?
Initially, I thought the pipes being referred to were recorders, not bagpipes and that made sense to me. Because I had to play the recorder as a kid in elementary school. Does this ring a repressed bell for anyone? 30 children with no breath control simultaneously failing to shriek out hot cross buns into a cheap woodwind at a pitch that could shatter glass? Nothing will drive you into a murderous rage faster. A grade 2 choir could give The Piper a run for his fucking money, I’ll tell you what.
If you were to scroll back a few years on my channel you would find exclusively poorly recorded rounds. I love rounds. I’m such a sucker for them. And I was hoping to use one in this collection somewhere, but the problem is, rounds are kind of notoriously difficult to write and wrap your head around – especially if you have a tenuous-at-best grasp on music theory. So I got lucky, basically. Something must have twigged with me after I banged out a rudimentary melody for this and I went “wait….wait a minute…really? Does it…is it…does it work???” And with a few edits it did, in fact, work as a round. This wasn’t the song I expected or planned to use a round in, but that’s what it became because I didn’t know if it would happen again.
At the risk of sounding deeply pretentious, I do quite like how it ended up kind of working as a musical metaphor for the endless cycle of violence (or what have you).
Okay, I’ll put down my brandy snifter and monocle now.
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