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IN THE EARTH Trailer | TIFF 2021

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Latter-day British horror/thriller/satire wizard Ben Wheatley casts his jaundiced eye on Life in the Time of COVID with his much-anticipated new film. Shot in 15 days in late summer 2020, In the Earth channels pandemic-era anxiety in true Wheatley style: with a phantasmagoric allegory set deep in the woods while a calamitous (and fictitious) virus rages around the globe.
Fresh from isolation, a scientist (Joel Fry) is joined by a park ranger (Ellora Torchia) as he searches for his colleague (Hayley Squires), who vanished while researching connections between fungal networks, plants, trees, and crops. What they find in the forest — including a hermit (Reece Shearsmith) bearing herbal remedies — turns both psychedelic and horrific, as natural and seemingly supernatural forces close in.
In the Earth recalls (in spirit) Wheatley’s pastoral genre mashups Kill List, Sightseers, and A Field in England — part folktale, part crime story, all mystical nightmare. It’s also, so far, among the first COVID-era productions to take inspiration from the times and run with it, moving outward from the confines of quarantine for a more metaphorical exploration of very real, very present existential fears.
Content advisories: violence, coarse language
Fresh from isolation, a scientist (Joel Fry) is joined by a park ranger (Ellora Torchia) as he searches for his colleague (Hayley Squires), who vanished while researching connections between fungal networks, plants, trees, and crops. What they find in the forest — including a hermit (Reece Shearsmith) bearing herbal remedies — turns both psychedelic and horrific, as natural and seemingly supernatural forces close in.
In the Earth recalls (in spirit) Wheatley’s pastoral genre mashups Kill List, Sightseers, and A Field in England — part folktale, part crime story, all mystical nightmare. It’s also, so far, among the first COVID-era productions to take inspiration from the times and run with it, moving outward from the confines of quarantine for a more metaphorical exploration of very real, very present existential fears.
Content advisories: violence, coarse language