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Understanding the BACH Motif || Imitative Counterpoint 4

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In this video we look at the B-A-C-H motif that J.S. Bach and other used as a musical representation of his name, and specifically the way that the motif is used as a fugue subject. As a fugue subject, the BACH motif is irregular. It does not always begin on the tonic or dominant scale degrees, and it is not obvious how best to interpret its chromaticism. This video shows how the motif has been harmonized in several different keys and how irregular fugue subjects in general can be handled by composers. At the end of the video, we also look briefly at a fugue subject derived from the notes of Franz Schubert's name.
Intro 0:00
Irregular Fugue Subjects 2:00
Bach BWV anh 108 (C major) 6:33
Bach BWV 898 (B-flat major) 8:16
Bach Art of Fugue (D minor) 10:01
Albrechtsberger op 3 (G minor) 11:02
Sechter's Fugue in Memorium of Schubert 12:24
My new counterpoint course on Teach:able
Kimiko Ishizaka, piano
Peter Bradley-Fulgoni, piano
Creative Commons Attribution 4.0
#musictheory #composition #JSBach
Intro 0:00
Irregular Fugue Subjects 2:00
Bach BWV anh 108 (C major) 6:33
Bach BWV 898 (B-flat major) 8:16
Bach Art of Fugue (D minor) 10:01
Albrechtsberger op 3 (G minor) 11:02
Sechter's Fugue in Memorium of Schubert 12:24
My new counterpoint course on Teach:able
Kimiko Ishizaka, piano
Peter Bradley-Fulgoni, piano
Creative Commons Attribution 4.0
#musictheory #composition #JSBach
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