Die Wilde Jagd - Austerlitz

Chapter 3 of the successful compilation series. 14 modern kraut-electronic tracks (3 of them exclusive and previously unreleased) inspired by Kraftwerk, Can, Neu!, Cluster, Klaus Schulze and many more. Curated and compiled by Compost artist Fred und Luna.

Release: Future Sounds of Kraut Vol. 3
Release Date: December 6th 2024
Cat.-No.: CPT645-1/-3
Format: 2xLP / Digital

Rainer Buchmüller aka Fred und Luna sadly passed away in January 2024 after a long illness. He was a kind-hearted person, gifted artist, friend and companion. We mourn him deeply. A few days before his death, Rainer Buchmüller had sent us the track listing for Vol. 3 (and already ideas for Vol. 4), with the request to publish this posthumously, he would be very happy if his fans and all those who will be would receive a “sign of life” from him.
It's not at all easy or basically impossible to describe the term “Kraut” stylistically. Nevertheless, Compost Records and Fred und Luna embark on a journey through time to discover the different elements of German electronic music from the 1970s and 1980s and their impact on the more recent German and global music scene.
After the great success of Volumes 1 and 2, Vol. 3 follows on stylistically from its predecessor and - as this is one of the basic ideas of the series - gradually expands the musical spectrum with new krauty elements.

-- Die Wilde Jagd --
Every year anew, during the Rauhnächte (those harsh nights between Christmas and Twelfth Day), the Wild Hunt (Die Wilde Jagd) rides across the country: raucous, jeering hunters from the nether- world,
whose path it is better not to cross. This is an ancient Germanic myth, which, in slightly varied form, is known in many parts of Europe and whose name Ralf Beck and Sebastian Lee Philipp have aptly chosen for their new project.
The two first met in 2006 in Düsseldorf’s Salon des Amateurs, a meeting place for new and established experimental musicians and artists, also known as Germany’s “postpunk Hacienda”. It seems no coincidence that Düsseldorf is the duo’s founding city: their music is full of subtle references to local acts, such as Kraftwerk, NEU!, DAF, Liaisons Dangereuses, Pyrolator, the Krupps and Propaganda. Since their first meeting, Beck and Philipp regularly come together during the time of the Rauhnächte to record in Beck’s well-equipped studio. Using the numerous analog keyboards and recording devices assembled there, and combining them with a diverse range of percussion instruments, they create their own “hunting music”, which at times sounds unsettling, like swampland or a dark forest, but also ur- gent and pressing, like incandescent lasers or a hypnotic dance. Their soundscape is marked by repetitive guitar loops, electronic percussion, drums and synthesizers. Booming tom-toms and medieval-sounding flutes herald the start of the hunt. Whispering, reciting voices conjure up the spirits of the woods, while synthetic sounds, melodies and noises flit about before they are recaptured, structured and grounded by crystalline beats and pulsating bass lines.