Deleuze for the Desperate #6: time-image

Discusses (Deleuze's account of) basics of Bergson on time and duration as a background to Deleuze on the time image in cinema. Flashbacks, dream sequences, crystal images, sheets of the past and peaks of the present are discussed in relation to fairly accessible film examples.

[capuchinosofia]

Dave, you are a genius! Thank you so much for your videos- i just found them and i have already fallen in love with them lol

[n.covercharge]

tysm, again, for all of these videos. soooo straightforward and clear.

[donreplies]

You have done a terrific job. I had read both the books without understanding much. Thank you.

[chrisnewman]

Thank you again. Your videos are such a helpful guide to tackling Deleuze

[simkok]

Thanks a lot for another episode of your decent work on this!

[gustavjansen]

Woah... Well Done! (me saying so very humbly). This video is really helpful for both the academic and the layman. Superbly done, and due diligence definitely been given to tackling the concepts. I'm only 10min in, but I can tell this is going to be good.
Is the female voice Dave's wife? Is it a study colleague?

[ractacsquad]

Thank you so much sir. God bless you! I needed this!

[greatedcorn]

If you have time, would you consider doing a video on Brian Massumi?

[janecollins]

Hey i love your videos, can you please tell me, how can the concept of time image be applied to every day life for personal growth?

[pfflam]

Nice to start a film about 'film' with a "clapper" bridge

[heidimarchant]

really appreciate this video and love the cornish (?) accent!

[dion]

Speaking of "Moby-Dick, " there's a passage near the end where Ahab and Starbuck spend a lot of time in Ahab's cabin. We're not told what's going on, but I believe a homosexual relationship is implied.

[gustavjansen]

got to minute 13.... :( what a let down. The introduction was brilliant, but as soon as they go into movement-image, everything collapses. Go back and read slowly! Movement image is what comprises ALL of cinema... It's as simple as understanding that it is the movement which cinema is able to create. It's not a specific type of cinema.