Ep. 70: The secret for the perfect Italian Arching

Dear Friends, enjoy this Video where I explain a few details regarding the arching of top and back of Italian instruments.
All the best
Edgar

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[laurencelance]

I reciently found a research paper on the precise thicknesses of both top and bottom plates of over 100 of the most famous violins. In looking at those maps, I'm seeing what is being described here. Absolutely facinating. Thank you.

[johngeddes]

Thanks for this essential info. I used to bring some projects to my luthier, and she would push one or two away and say “I don’t want to even see these ones here. Take them awau.” Now I can see why
(She is trained in Cremona under Bissolatti) .

[austinvickymoore]

Very interesting topic! Opened my eyes now looking for many books to aquire for this adventure!

[amajorseven]

Again this was an interesting video. Thanks for sharing some of your current pieces of work. I appreciate that you pointed out the differences for violin viola and cello. Thanks.

[sabatucci]

It is very interesting to compare different violin making schools, it helps to know not only how a luthier work but also how a luthier think. Very good video !

[omercanbakkalci]

thank you so much for this video. it helped me very much with my current viola top arching.

[bennyblanko]

I wish there was a double thumbs up! Excellent!

[erictanttari]

When you went to the museum to see the Testore out of its glass case I was surprised by the extreme shape of its arching. This video explains why it was done that way. With the Testore I was surprised by the warping of the peg box and probably part of the neck. I just assumed they used very dry wood, but as you said some of their wood was quite green.

[pedrodacosta]

The stuff You do is amazing. I watch your videos a lot and have an interest in becoming a luthier and but I am 13.

[midnighttutor]

Interesting analysis. With that homemade gauge are you in fact measuring arching contours or plate thickness contours? Thank you.

[bluehoo]

Thank you very much for explaining all this as arching for beginners can be difficult to imagine how it should be shaped while doing the carving. Can you tell be what was the mechanical device you used that enabled the pencil to be moved up and down?

[doarelkt]

Hi, thanks for the videos very helpful!
I would like to ask, I have an antique Steiner violin, its sound is deep and warm but hollow..it is neither solid nor meaty, even though I built a sound post for it perfectly and a good deluxe bridge, what else can be done to get a firmness and solidity of sound?

Thank you

[pecator]

Thanks for the interesting information concerning this complicated topic! I was wondering what your thoughts are concerning the narrow and high arching of Amati (tenor) viols?

[mkdijkstra]

actually. you should try to make 2 violins, 2 backs from same tree, same year, top as well 2 tops from same tree and same year, as well as the corner blocks as the bassbar, and then build it with the different arching, oh yeah, and the soundpost ofcourse

[felixhesse]

you take about German arching,
what are their charestaristics?

[AGC]

HI Edgar. Watched a few of your videos. Appreciate how you're wiling to share...but I have a question. Might be a little uncomfortable.

Q: What happens if one of your works you shipped to a customer arrives damaged. Unplayable. What happens then? Do you send the customer a replacement free of charge? And how do you ship your works of art to make sure that never happens? Or isn't possible.

[andrewsnow]

Fascinating. Is there a problem getting really good wood? I know bow makers are hoarding all the pernambuco they can get.
I also think that a well engineered violin or cello needs a lot of time and playing to open up the sound to create the complexity.

[Muslmnn]

That was very interesting again! Is the arching, especially on a cello, responsible for a wolf tone?
Liebe Grüße,
Artur

[felixhesse]

hi there,
I have a Guaneri of Mantua and the violin is extremely arched and the top plate almost is touching the fingerboard. would you recommend to let a luthier flatten it.
thanks

[Tostra]

Great video, and a question I've been thinking of a lot.
Now, I suppose you make your archings by eye, but as a beginner it's my impression that it's best to use a template. How would I go about making an arching a different height than the original?
I want to make the same model of Vuillaume cello as I have already made, but apart from generally working cleaner, I want to make the archings higher, as the top of the original is very flat, leading to a very powerful sound, but it seems to lack some complexity and warmth.