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Marko Topchii plays Capriccio DIabolico by M. Castelnuovo-Tedesco Op. 85 - Lodi 2017
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Marko Topchii plays Capriccio DIabolico by M. Castelnuovo- Tedesco Op 85, Omaggio A Paganini - Lodi (Italy) 2017
There are times when we care less about maintaining our integrity. sometimes we're tired to want that, instead wishing to caress in melancholia and scrutinize self-induced hollowness. there's nothing wrong about it. it's a season. seasons change.
Capriccio Diabolico, such as Liszt's Sonata is a composition that always reminds us that the duality and unendingness of confrontation between the positive and negative is life.
Yet We choose how to play it.
M.Topchii
There are times when we care less about maintaining our integrity. sometimes we're tired to want that, instead wishing to caress in melancholia and scrutinize self-induced hollowness. there's nothing wrong about it. it's a season. seasons change.
Capriccio Diabolico, such as Liszt's Sonata is a composition that always reminds us that the duality and unendingness of confrontation between the positive and negative is life.
Yet We choose how to play it.
M.Topchii
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Marko Topchii plays Capriccio DIabolico by M. Castelnuovo-Tedesco Op. 85 - Lodi 2017
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