Koreoerotikon trailer

STANICA Servis za savremeni ples (Srbija)
KOREOEROTIKON
Ana Dubljević, Darja Janošević, Marko Milić
(scroll down for English)

Ples uobičajen u savremenoj popularnoj kulturi naglašava erotičnost tela, kao neophodnog činioca (samo)zadovoljstva i osećaja (lične) vrednosti. U ritualima plodnosti, ples je bio deo ceremonijalnih i duhovnih praksi, koje su seksualni čin i reproduktivne procese predstavljali simbolički. I u ritualima plodnosti i u pop kulturi, takve reprezentacije su prihvaćene i ohrabruju se, dok u uobičajnim okolnostima uglavnom ostaju u sferi privatnog.

Koreoerotikon se bavi pitanjem: Na koji način plesna predstava može da se bavi sadašnjom potrebom za erotičnošću i kako može biti upotrebljena za dobrobit društva, a ne samo za njegovo trenutno zadovoljenje?

Ana Dubljević, Darja Janošević, Marko Milić
Muzika: Darja Janošević
Umetnička saradnja : Aleksandra Jones
Vizuelni materijal: Bojan Đorđević
Produkcija: Ksenija Đurović
Hvalahvala: Predragu Mladenoviću, Džonsonu, Isidori Stanišić, KC REX, Ivani Ašković, Bidadari - Indonežanskom plesnom studiju, Andreji Široki, Marijani Cvetković, Nemanji Caliću

Produkcija: Stanica Servis za savremeni ples
Podrška: Nomad Dance Academy, Life Long Burning, Ministarstvo kulture i informisanja Republike Srbije, Program Kultura 2007 - 2013

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Station Service for contemporary dance (Serbia)
KOREOEROTIKON
Ana Dubljević, Darja Janošević, Marko Milić

The dance most common in contemporary pop culture stresses the eroticism of the body, offers it as an imperative companion of pleasure and of (self)worth. In fertility rites the dance was part of ceremonial and spiritual practices, where the sexual act or reproductive processes were (symbolically) represented. Also, in fertility rites and in pop culture such representation in this specific context is adopted and encouraged by the group, whereas in ordinary circumstances it remains within the domain of privacy.

Choreoeroticon tackles this question: How could the contemporary need for eroticism be interpreted through a dancing performance and how could it be used for the purpose of improving the society and not solely for its momentary satisfaction?

Ana Dubljević, Darja Janošević, Marko Milić
Music: Darja Janošević
Artistic collaboration : Aleksandra Jones
Visual material: Bojan Đorđević
Production: Ksenija Đurović
Thankyouthankyou: Predrag Mladenović, Džonson, Isidora Stanišić, KC REX, Ivana Ašković, Bidadari - Indonesian dance studio, Andreja Široki, Marijana Cvetković, Nemanja Calić

Production: Station Service for contemporary dance
Support: Nomad Dance Academy, Life Long Burning, Ministry of Culture and Information of the Republic of Serbia, Culture Programme 2007-2013

Trailer by Radu Bogdan