Mastering Your Track Using Izotope Ozone 7 Part III: Compression and Limiting

Matt Murray and Evan Allen of iZotope are back again for part three of our four-part mastering series. In this video, Matt and Evan cover compression and limiting in the mastering stage and how they can be used to balance out dynamic range and bring up the overall volume of the track.

[YoungGeeDee]

Thank you so much for all this knowledge.

[chrisgalactic]

Great stuff! That was awesome very helpful

[trancephile]

Very helpful and very important tips, thanks alot

[madbaldscotsman]

Sometimes you need as much as -1.4 for Soundcloud for MP3's as they will add volume and saturation

[julianmazirhx]

THNX a lot ;) .. it's really help

10:50 "Its not going to clip in the analog world even though it may not in the digital" What?

[SanVB]

I don't think I ever hear the word OVERALL so many times.

[kmbhh]

Por qué le han quitado la reverb al Izotope ozone 6 y 7 no lo entiendo, vaya mierda.

[javijavi]

This is quite sloppy. You only focus on volume...so shoddy. Mastering is quite far for a only-volume-issue. You focous only on shitty danceable stuff....we surely miss dynamic range on our songs....let's have a silent...a really silent gap before the high. Let audience get that feeling....how do you manage dynamics with classical music? There is nothing wrong with that...!!!