How Big Should I Build A Dolby Atmos Studio?

In this video I discuss how big you should build a Dolby Atmos studio. We have spent a lot of time talking with Dolby Labs about this subject before building our room and we were informed of the perfect spec.

▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬

▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬

SUPPORT AUDIO ANIMALS AFFILIATE LINKS

▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬

[amdenis]

Question: at MIT and media lab we determined, modeled and tested treated and dynamically optimized in terms of RT-60 and other criteria for tracking, mixing and mastering. As such, we discovered having at least one room axis that is large enough to support the lowest fundamental frequencies required. In other words, like 64 ft to support 20 Hz at sea level. This required a large, well optimized room of about roughly 2500+ sq ft. Do you have any thoughts on that?

[amdenis]

Question. I notice that several of your front monitors’ HF drivers are about at level with the top of your mixing console— doesn’t that cause fairly noticeable reflection and interaction with the top of your console? Just was at a similarly configured studio in London where that was a real issue. Am I missing something that one can do to mitigate that issue?

[_kenula_damsith_]

Cannot we create a 9.2.6 mixing studio?

[Justin_Allen]

What were the physical dimensions of your room, munis all of the equipment?

[dougleydorite]

I wonder how strict they are on this? Or - I wonder if they make exceptions for those that are *close* and also have a high permorming Trinnov system. It's kind of bureaucratic... Imagine a company going to all the record producers that used NS-10's on top hit records and saying that they aren't qualified to mix on (enter company name) stereo. But then again, stereo isn't owned or attempted to be owned by a company $$$