How to easily convert your LOG footage to Rec.709 inside of Premiere Pro

[leonardorambelli]

great video buddy! saved me a lot of time

[cheavideography]

Honest question: but what's the point if the idea of shooting in log is to have the flexibility of color grade whatever you want to. Why would you shoot log to use Rec.709?

[JM-gsqu]

quick question so is this an alternative to adding a rec709 lut to an adjustment layer, or do you still have to do that aswell ?

[skullviet]

If I do it this one, do I still have to throw in the REC.709 Lut or does it cut that step out completely?

[SEANLIGHTZTV]

Hey... I have a question if you use adobe for post processing... I just got a fx30 a few weeks ago & was introduced to the feature "auto detect log" that works for SLOG footage... every time I import my log footage in adobe its slog and very much so still looks SLOG.. but in properties it reads out to me as a REC.709 clip (not auto bringing me into rec.709 as the feature is being promoted) The only way to quickly get it out of log is to interoperate the footage and bypass it over to slog3... I can't help but think something is wrong with my fx settings wise although I can't think of a reason... ive tried regular slog3...slog3 with cine... I've went into picture profile 1 and set them as logs outside of the traditional log screen... nothing I do seems to work & I can't for the life of me understand why... I'm praying someone can help me understand what's going on to a certain extent because its driving me nuts thinking something is either wrong with adobe or my fx30...

[YesItsLu]

Do I need to download this rec or is it already on premiere pro

[mr.raguzzini]

I followed your steps but when I go into color space override, I can't find the list you have, so I can't select "Sony S-Log 3/S-Gamut3.cine

How can I go about getting this list?