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Solfeggio Frequencies and Pythagoras: Part 1

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In this series of videos, we compare the solfeggio frequencies (396, 417, 528, 639, 741, 852) to the Pythagorean scale that was used at the time Guido of Arezzo invented musical notation.
In this video, you will see how what is called the "Ancient Solfeggio Frequencies" do not line up with the Pythagorean scale used at the time of Guido of Arezzo. Since Guido knew the chant repertoire (because he was a monk) and was able to write the melodies down, we know what those melodies actually sounded like.
Guido of Arezzo is most known for inventing musical notation (around 1000). We know that the Church used the Pythagorean scale in singing the plainchant repertoire. What we don't know is the concert pitch used at that time. Tuning forks didn't start appearing until 1600.
This series of videos will compare/contrast the actual pitches of the Ancient Solfeggio Frequencies with the Pythagorean scale used at the time of when the "Hymn of St. John the Baptist" was written.
Visit our website for more information:
In this video, you will see how what is called the "Ancient Solfeggio Frequencies" do not line up with the Pythagorean scale used at the time of Guido of Arezzo. Since Guido knew the chant repertoire (because he was a monk) and was able to write the melodies down, we know what those melodies actually sounded like.
Guido of Arezzo is most known for inventing musical notation (around 1000). We know that the Church used the Pythagorean scale in singing the plainchant repertoire. What we don't know is the concert pitch used at that time. Tuning forks didn't start appearing until 1600.
This series of videos will compare/contrast the actual pitches of the Ancient Solfeggio Frequencies with the Pythagorean scale used at the time of when the "Hymn of St. John the Baptist" was written.
Visit our website for more information:
Solfeggio Frequencies and Pythagoras: Part 1
Solfeggio Frequencies and Pythagorus: Part 4
Solfeggio Frequencies and Pythagorus: Part 2
Solfeggio Frequencies and Pythagorus: Part 3
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