filmov
tv
Back to Beethoven - Revich & Pascalucci

Показать описание
Yury Revich, Stradivarius (Goh Family Foundation, historical set up)
Fiorenzo Pascalucci, fortepiano (copy after Anton Walter 1792)
Christian Frattima, direction
Beethoven - Violin Sonata nr.9 'Kreutzer' (historical instruments)
With the upcoming Beethoven 250 Anniversary, Fiorenzo Pascalucci and I decided to create our own Beethoven Project:
All Beethoven Violin Sonatas in their correct historical setting.
Beethoven had a great sense of humour, and so do we :-) hope you like it and share with your friends!
We hope to perform this program in your city soon!
I have been occupied with Beethoven’s music for many years.
I am especially conscious of the period way of playing and the need to respect the wishes of the composer and the tools he used to compose his timeless music.
I believe that in returning to the original settings and replicating the way Beethoven composed those sonatas using a Hammerklavier (Fortepiano) makes a significant aesthetic and musical difference.
In such an historically correct context, the Hammerklavier and violin merge in a single organic synergy sound wave which creates a unique experience of an “orchestra- like” sound.
This also helps to understand the symphonic thinking of Beethoven when he was composing the sonatas.
Social Medias:
Yury
Fiorenzo:
Beethoven Society for Music and Research Vienna
Fiorenzo Pascalucci, fortepiano (copy after Anton Walter 1792)
Christian Frattima, direction
Beethoven - Violin Sonata nr.9 'Kreutzer' (historical instruments)
With the upcoming Beethoven 250 Anniversary, Fiorenzo Pascalucci and I decided to create our own Beethoven Project:
All Beethoven Violin Sonatas in their correct historical setting.
Beethoven had a great sense of humour, and so do we :-) hope you like it and share with your friends!
We hope to perform this program in your city soon!
I have been occupied with Beethoven’s music for many years.
I am especially conscious of the period way of playing and the need to respect the wishes of the composer and the tools he used to compose his timeless music.
I believe that in returning to the original settings and replicating the way Beethoven composed those sonatas using a Hammerklavier (Fortepiano) makes a significant aesthetic and musical difference.
In such an historically correct context, the Hammerklavier and violin merge in a single organic synergy sound wave which creates a unique experience of an “orchestra- like” sound.
This also helps to understand the symphonic thinking of Beethoven when he was composing the sonatas.
Social Medias:
Yury
Fiorenzo:
Beethoven Society for Music and Research Vienna
Комментарии