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Princesse Czardas - Géza Komor KünstlerOrchester - TRI-ERGON - TE 5261 - 1928
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~--------------------------------~
PRINCESSE CZARDAS
(Emmerich Kálmán)
Géza Komor KünstlerOrchester
Recorded for Tri-Ergon in 1928
~--------------------------------~
TRI-ERGON Photo-Electro-Recording
OREOR PARIS (Importé d'Allemagne)
Ordre no. TE 5261
Matrice no. 01356
~--------------------------------~
TRI-ERGON PROCESS
The system used a photoelectric recording
method and a non-standard film size (42mm)
which incorporated the sound track
with stock 35mm film.
To record Sound, Tri-Ergon used a special
form of microphone without mechanical
moving parts (Cathodophone).
They used a special electric discharge tube
for variable density film recording.
~--------------------------------~
Phonograph:
His Master's Voice 163 Upright Grand
With 6 feet reentrant
exponential Orthophonic steel horn
(Accoustically dampened)
Soundbox :
Rebuilt HMV n5b Soundbox
Full tone steel needle
~--------------------------------~
Electret large diaphragm Microphone
iRig preamp
(Guirlipiot collection)
PRINCESSE CZARDAS
(Emmerich Kálmán)
Géza Komor KünstlerOrchester
Recorded for Tri-Ergon in 1928
~--------------------------------~
TRI-ERGON Photo-Electro-Recording
OREOR PARIS (Importé d'Allemagne)
Ordre no. TE 5261
Matrice no. 01356
~--------------------------------~
TRI-ERGON PROCESS
The system used a photoelectric recording
method and a non-standard film size (42mm)
which incorporated the sound track
with stock 35mm film.
To record Sound, Tri-Ergon used a special
form of microphone without mechanical
moving parts (Cathodophone).
They used a special electric discharge tube
for variable density film recording.
~--------------------------------~
Phonograph:
His Master's Voice 163 Upright Grand
With 6 feet reentrant
exponential Orthophonic steel horn
(Accoustically dampened)
Soundbox :
Rebuilt HMV n5b Soundbox
Full tone steel needle
~--------------------------------~
Electret large diaphragm Microphone
iRig preamp
(Guirlipiot collection)