Fazıl Say - Kumru Ballad

Composing is always a form of improvisation: with ideas, with musical particles, with imaginary shapes. And it is in this sense that the artistic itinerary and the world-view of the Turkish composer and pianist Fazıl Say should be understood. For it was from the free forms with which he became familiar in the course of his piano lessons with the Cortot pupil Mithat Fenmen that he developed an aesthetic outlook that constitutes the core of his self-conception as a composer. Fazıl Say has been touching audiences and critics alike for more than twenty-five years in a way that has become rare in the increasingly materialistic and elaborately organised classical music world. Concerts with this artist are something else. They are more direct, more open, more exciting; in short, they go straight to the heart. And the same may be said of his compositions.

Fazıl Say wrote his first piece -- a piano sonata -- as early as 1984, at the age of fourteen, when he was a student at the Conservatory of his home town Ankara. It was followed, in this early phase of his development, by several chamber works without an opus number, including Schwarze Hymnen for violin and piano and a guitar concerto. He subsequently designated as his opus 1 one of the works that he had played in the concert that won him the Young Concert Artists Auditions in New York: the Four Dances of Nasreddin Hodja. This work already displays in essence the significant features of his personal style: a rhapsodic, fantasia-like basic structure; a variable rhythm, often dance-like, though formed through syncopation; a continuous, vital driving pulse; and a wealth of melodic ideas that may often be traced back to themes from the folk music of Turkey and its neighbours. In these respects, Fazıl Say stands to some extent in the tradition of composers like Béla Bartók, George Enescu, and György Ligeti, who also drew on the rich musical folklore of their countries. He attracted international attention with the piano piece Black Earth (1997), in which he employs techniques familiar to us from John Cage and his works for prepared piano.

After this, Say increasingly turned to the large orchestral forms. Taking his inspiration from the poetry (and the biographies) of the writers Nâzım Hikmet and Metin Altıok, he composed works for soloists, chorus and orchestra which, especially in the case of the oratorio Nâzim, clearly take up the tradition of composers such as Carl Orff. In addition to the modern European instrumentarium, Say also makes frequent and deliberate use in these compositions of instruments from his native Turkey, including kudüm and darbuka drums and the ney reed flute. This gives the music a colouring that sets it apart from many comparable creations in this genre. In the year 2007 he aroused international interest with his Violin Concerto 1001 Nights in the Harem, which is based on the celebrated tales of the same name, but deals specifically with the fate of seven women from a harem. Since its world premiere by Patricia Kopatchinskaja, the piece has already received further performances in many international concert halls.

Fazıl Say scored a further great success with his first symphony, the Istanbul Symphony, premiered in 2010 at the conclusion of his five-year residency at the Konzerthaus Dortmund. Jointly commissioned by the WDR and the Konzerthaus Dortmund in the framework of Ruhr.2010, the work constitutes a vibrant and poetic tribute to the metropolis on the Bosporus and its millions of inhabitants. The same year saw the composition, among other pieces, of his Divorce String Quartet (based on atonal principles), and commissioned works like the Piano Concerto Nirvana Burning for the Salzburg Festival and a Trumpet Concerto for the Mecklenburg-Vorpommern Festival, premiered by Gábor Boldoczki. In response to a commission from the 2011 Schleswig-Holstein Musik Festival, Say has also written a Clarinet Concerto for Sabine Meyer that refers to the life and work of the Persian poet Omar Khayyam; for the Munich Biennale he is working on his first opera, entitled Sivas. Fazıl Say's works are issued worldwide by the renowned music publishers Schott of Mainz.

[haldungenc]

bir babanın kızına verebileceği en güzel hediye olsa gerek...

[kemalkis]

Bu kadar rafine ve anlaşılır bir besteyi çok nadir bulursunuz. Herkeze hitap ediyor. Ne mutlu bize ki Fazıl gibi duyarlı bir sanatçımız var.

[mrhnvm]

kumru is the name of his daughter. he wrote that piece for her and i guess this makes the piece more emotional & meaningful

[idilcanguven]

Teşekkürler fazıl say.. Oğlum senin müziklerinle büyüyor. Senin müziklerinle uyuyo ve tüm gün seni dinliyoruz ve hiç bıkmıyoruz iyi ki varsın BÜYÜK İNSAN!

[necipyesiltepe]

İçine çekiyor, alıp götürüyor, masal diyarına, rengârenk çiçekli bahçeye, Kumru dans ediyor, salına salına..

[altanbabacoglu]

Kızını ne kadar seviyorsun? sorusuna iyi yanıt olmuştur diyorum...

[朱牡丹-bw]

very nice music, I don't know why, when I listened and I cry.Its melody touched me., thank you very much!

[zeynepgul]

Bir an Kumru olmak istedim.Sabah ata bindikten sonra eve geliyorum ve babam bana piyano çalıyor.

[enes-]

Bir kalbim olduğunu hissettim onca yıldan sonra.
Teşekkürler Fazıl Say!

[UnicornarusRex]

Çoğu senfoniyi dinlemiş ve piyano çalan biri olarak düşüncem şu ki, tarihteki en hoş bestelerden birisi :)
Harika!
As a piano player who has listened to most of the symphonies, I think this is one of the nicest compositions ever! :)
Wonderful!

[diegor.p]

I play the piano, and when I discovered Fazil Say's music I became even more interested in playing it. He is simply awesome

[ДругКаленского]

Many thanks to you, Turkey and Turkish people, for such an incredible composer who seems to find keys to wisdom and to our hearts... How one can differently explain his phenomenal music? Genius. Thanks. Respect

[aysemunisegunes]

Bu nasil birseydir arkadas resmen insanin içine isliyor. ozellikle bu parca ve "Ses" parcasini dinlemeden duramiyorum surekli acik olsa da dinlesem diyorum gerçekten butun gun kulaklikla geziyorum artik kulagima yapisti 😊 gercekten Fazil Say sadece parmaklariyla degil yuregiyle caliyor harika harika ve yine harika

[sofsof]

fall in love with your performance from this piece. wish to see u play in Beijing again and maybe I will try in Turkey.

[sareisik]

Fazıl Say'ı dinlediğimden beri sanırım en etkilendiğim bestesi buydu. Bir babanın kızını nasıl sevdiğini merak ediyordum çünkü ben bu sevginin zerresini almadım. Sonra bu parça çıktı karşıma sanki bak Sıla babalar böyle sever kızlarını der gibi. Baban yoksa zordur ama baban varda yoksa daha zordur. Sıcacık bir baba elinin saçıma değmesini, yanaklarımı okşamasını ve yine aynı sesin bana masallar okumasını çok isterdim. Lakin bizim de payımıza düşen buymuş sabretmek gerek belki de ilerde küçük bir kızım olur belki de babası ona babalık yapar ve bende onları izlerken doğru hayatı buldum derim.
Eminim ki Kumru çok şanslı olduğunu biliyordur...

[dominiquelarroque]

J'ai eu l'occasion de voir se pianiste a Bordeaux un véritable CHEF-D'OEUVRE un pur bonheur un pur régal j'ai adorer

[kirafan]

Çok yumuşak içimde farklı duygular uyandıran huzur veren karanlıktan korktuğum zaman ve hüzünlü olduğumda dinlerim ve bana sarılır bu müzik sanki huzur verir mutluluk verir gerçekten çok güzel ..

[thomascarlsson]

Wow. Ich liebe es wie Sie mitsingen im Inneren. und den Mund dazu bewegen. Wie das Herz nach außen hin sichtbar wird.

[Abdullah-gxvs]

Kesinlikle bir babanın kızı için yapmış olduğu en güzel hediye.

[Hsv]

Zevkle dinledim Fazıl SAY.Saygınlığını ve sanatçı duruşunu her zaman gösteriyorsun. Durmak yok, yola devam...