M-22 - 'How Does it Feel' Track Breakdown

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M-22

Filmed by Stanley L.
Edited by Tony H.
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Putting Volume Shaper last on the master set at 1/4, purely as a waveform display, is an amazing little trick to help deal with trimming samples, adjusting sidechains and keeping a general eye on phase shifts in the low end due to low cuts etc. We can get things cycle accurate and see exactly which notes are causing spikes when summing with kick tails, pushing the limiters more. Not to mention, noticing that 1 loop that might of been wrongly timed or hardware that's dropping out of sync. Much easier to adjust the time shift box top left under pan, with VS on the master. I hope 1 day iZotope will include adjustable views to the display in Ozone.

mitchiemasha
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Thank you for letting us see behind the curtain!

von-fur-wegen-gegenolli
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Adding stereo width with Brainworx and then reduce it with Waves Center :D great track tho

a.gromov
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A brief bit of research into Matt James tells me he used to produce Donk!

AlFrash
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iT FEELS LIKE THE FREE QUENCIES ARE PASSING THRU MY HEADPHONES IN MY EAR CANALS AND REGISTERING IN MY BRAIN MAKING THE NEURONS EXCITED SO MUCH THAT I WANNA SCREAM SAVE

SteveAntams
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Cubase has fade envelopes on audio events... No need to use Volume Shaper for that at 13:31. Select all on track, drag the fade out all the way left, click to the right of the fade, draw in your envelope. Even better if you have Key commands for each. A: Select all on Track. F: Open fade editor. Job done. Now we'll get the same fade no mater where the kick is on the grid, which wont happen with VS. Adding those key commands is perfect for going back and tweaking later on. Always drag the fade across at the start and when the samples over lap, don't cut them.

mitchiemasha
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saw the guy standing on the stage in the opening clip immediately shut it off

kyleog
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