Premiere Vs. Resolve SHOWDOWN: Convolution Reverbs

In this video, Cinema Sound presenter Mark Edward Lewis Runs us through an Adobe Premiere Pro vs. Blackmagic Designs: Davinci Resolve SHOWDOWN in audio capabilities. In this installment, we find out which NLE serves up the most realistic and useful reverb sound for post production and which one is easiest and most flexible to use.

To find hundreds more articles and videos on how to get your Hollywood $1M impact into your productions (and podcasts), visit us at

[Alex-jbke]

Thanks for your videos and for your channel!

[DanielaTocan]

The concept and idea of this video is realy good but i guess you are not specialised so much for audio. (i did not look to others videos now. The Adobe convolution as far as i see is realy not a dream how you like to work in postproduction. let us start with the M7 for example. we go to hardware and have a pricerange of 4500$. Quality of the convolution inside premiere is additional in a less than freeware quality. check the folder and look how many gigabyte of Ram of the files they contain say setup this to 20 or thirty dialoge channels and yours pc goes down. We start at a reasonable price like the Dialoque Match from iZotope. Exclusive for Protools.
On the other hands for Instruments software based convoltion like orchestra you have to deal with 2500 Euros like MIR from VSL.
For Davinci Resolve the voncept is to use for budget films just external Plugins or send Aux Solutions.