Melodic Phrasing & Static Harmony: Using Soundtrap to build Antecedent and Consequent phrases.

Using a static harmonic progression in the key of C major.

We're playing C-F-Dm-C; or I--IV--ii--V

Using these basic chord functions, can you create a an antecedent and consequent phrase? Each phrase should last the entirety of the progression. I go through recognizable melodic phrases and then describe the difference between chord tones and non-chord tones.