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Your Minor Solos Suck... So Try This!
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TIMESTAMPS ⏱️
0:00 Intro solo
0:51 TAB files, bonus licks and backing track
1:25 Today's chord progression
2:12 Solo using natural minor scale (flat 7th's)
3:15 The 'raised 7th'
4:52 Harmonic vs. Natural minor
6:07 Free lick #1
6:36 Break through the lost intermediate plateau
7:30 Lick #1 breakdown - augmented triads
10:20 Free lick #2
10:30 Try my tone for free! Neural DSP Tone King Imperial MKII
12:25 Lick #2 breakdown
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Do you suck at improvising in minor keys?
Are you tired of feeling like you only ever run up and down minor scale positions without playing anything that sounds remotely 'musical'?
Do you wish you could find a way of actually making music with scales in minor keys?
When soloing in minor keys, the go-to scales for many players include the natural minor and minor pentatonic scales.
This makes complete sense as the minor pentatonic is essentially a 'skeleton' of the natural minor scale and of course, the natural minor scale is well suited to use over chord progressions in minor keys.
The raised 7th in harmonic minor is just one semitone / one fret higher than the ♭7th in the natural minor and minor pentatonic scales - which means it's just one fret below the root note of the key you are playing in, making it fairly easy to locate across the fretboard.
So, adding in raised 7th's now and then can go a long way to making your minor solos sound more musical. But not only that, when you solo with harmonic minor, you can take advantage of a tool that is found naturally within the scale. Something that instantly makes it easier to develop musical sounding licks with. What I'm referring to is...
The augmented triad
It's essentially a symmetrical, three note chord containing a root, major 3rd and ♯5. In harmonic minor, there are three notes that this triad can be built from - the minor 3rd, perfect 5th and raised 7th.
So, if you've made it this far, I'm guessing that you do still want to get better at soloing in minor keys?
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