Chopin: Fantasie-impromptu, Op. 66 (Posth.) [Horowitz 1989]

October & November 1989: 14 East 94th Street (Horowitz's Home), New York City, New York (Studio)

Fantaisie-Impromptu is undoubtedly one of Chopin's most beloved and frequently performed compositions. Even so, the legendary pianist Vladimir Horowitz had never played or recorded it until his later years, opting instead to focus on Chopin's later works.

While Horowitz had already made a name for himself with his in-depth and extraordinary interpretations of works like Ballade No. 1, it was in Chopin's later compositions that he truly shone. The Fantasie Op. 49, the last ballade Op. 52, the Barcarolle Op. 60, and the Polonaise-fantasie Op. 61 were just a few of the masterpieces that Horowitz brought to life with his unparalleled skill and artistry.

Though Fantaisie-Impromptu was actually composed during the period of Op. 12-24, it was given a posthumous opus number due to publishing complications. Nonetheless, it stands apart from many of Chopin's other works with its simple structure and uncomplicated texture.

Horowitz's last album, recorded just a month before his passing, was a true testament to his talent and creativity. In it, he showcased an unprecedented selection of works, including Wagner's Tristan und Isolde and, of course, Fantaisie-Impromptu.

What makes Horowitz's performance of Fantaisie-Impromptu so remarkable is his unique style and interpretation. Despite some occasional instability, he imbues Part A with a flowing, smooth phrasing that seamlessly navigates the tricky 3-4 tuplets. Part B, played in a somewhat faster tempo than the modern mainstream, exudes a surprising calmness, with the melody ringing out like a beautiful song.

Perhaps most remarkable of all is Horowitz's treatment of the returned Part A. His playing is decisive and confident, with a tone accentuated by less pedaling and punctuated by bold bass accents. It is a truly unforgettable performance that showcases Horowitz's mastery of the piano and his ability to breathe new life into even the most well-known compositions.

[pianistajs]

He really does play and add some mazurka flare making those dotted eighths to sixteenths in the middle section. Horowitz, even before he left us, gave us gifts and insight.

[AB-lieo]

Maestro Horowitz - the most sensitive and elegant rendition ever

[maxshell]

My favourite pice for piano. I love the part after 22`

[ant-]

can you realease liszt second ballade 1981 pls

[nilsfrederking]

The sound of the piano is different from what I am used of Horowitz, overall it does not really sound like him to my ears, has anybody an explanation?

[JacobDTulio]

I love that return to the A section. 3:48 especially - I’ve never heard the bass notes played that way before.

[davidlucey]

I wish I could play like that, but when you don’t have a piano until you’re 14, it’s not going to happen.