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It centers around fictional versions of two Indian revolutionaries, Alluri Sitarama Raju (Charan) and Komaram Bheem (Rama Rao), their friendship, and their fight against the British Raj

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The Telugu language Indian action epic “RRR” (short for “Rise Roar Revolt”) has returned to US theaters for an exceptional one-night-only engagement on June 1st following its initial theatrical release. Some hindsight has made it easy to guess why writer/director S.S. Rajamouli has only now broken through to Western audiences with “RRR” despite his consistent box office success. Rajamouli’s latest is an anti-colonial fable and buddy drama about the imaginary combo of two real-life freedom fighters, Komaram Bheem (N.T. Rama Rao Jr.) and Alluri Sitarama Raju (Ram Charan). “RRR” is also a fine showcase for Rajamouli’s characteristic focus on maximalist action choreography, overwhelming stuntwork and pyrotechnics, and sophisticated computer

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Set in the 1920s, a gond tribal girl Malli gets taken away by the Britishers, the then rulers of India. Bheem (NTR) lands in Delhi in disguise as Akhtar to take her back to the tribe. Raju (Ram Charan) works as a police officer in the British empire for a bigger cause, gets into the hunt for Bheem. The two men with different aims find their paths crossed and become friends. Will Bheem be able to bring Malli back and what will Raju do after finding that he is hunting for his best friend? What is Raju’s story? The answers to these questions are all about RRR, Roudram Ranam Rudhira
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