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6. Song of the Hive (What Jane Might Have Heard) - A Song for The Corruption
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CW: Body horror, Entomophobia, Infestation, Hypochondria, Insects/bugs, Manipulation, Sickness/plague, Pathophobia, Rot/decay, Trypophobia, Vermiphobia, Worms
LYRICS:
Darling sweet, we sing for you
A symphony of malady and mildew.
Itching with a fever’s heat
Beautiful but incomplete;
Precious dear, we sing for you
All you hope and fear is true .
Your love, our need,
You house, we feed.
Home is where the heart is, aimless though you roam,
In mutual belonging let us make your heart our home
Every plague must have its victims,
Every body rots away
Why hold fast
To what won’t last?
Hail decadent decay
Oh, how many we could dirty
Oh, how many we could bring to the writhing ground.
Feel your power,
As the hypocrites cower
And mucid moans resound.
All vitality forgotten...
Don’t you know, loved one: The sweetest smelling fruit is rotten
CHORUS
Every mold requires moisture,
Every bug a host to drain.
Don’t be tied
To self-ruled pride
Join our symbiotic strain.
Oh, become our new apprentice,
Oh, let us guide you as we burrow through your bones.
It’s all so lewd
This facade of pulchritude
True beauty's sung by drones.
Let us colonize the clean...
Don’t you know, loved one: Every hive must have its Queen
CHORUS
(You need never be alone)
SPOILERS ahead for season 1:
For the full JPE (Jane Prentiss Experience), doctors recommend listening to this on loop until you decide the best course of action is to LARP as a beehive.
I think this was one of the first ideas that popped into my head when considering this project. Some Entities were really hard to translate into song, which is why these come from a bunch of different perspectives. But I had a pretty clear idea of this one from the start, which gave me some confidence.
Not only that, I was also lucky insofar as it’s an entity that actually sings – or, a manifestation of it does. You know what I mean. – AND, there are descriptions of its singing! So I could go through the transcript of Jane’s hair-rasing statement and pick out the relevant info. The descriptor of “nectar-sweet” was one I kept in mind a lot. It inspired the little bits of major in this mostly minor song. Like whenever they call her ‘precious’, or ‘darling, or ‘loved one’ I tried to have those bits be major to stand out, and sound like they could be maybe nice as opposed to creepy.
The Corruption is really interesting to me. I feel like it has both a really clear literal and figurative manifestation. Like, fear of sickness and bugs ‘n stuff. Got it. But also unhealthy love. The danger of codependency. The insidiousness of cults, and how red flags might look like beacons instead of warnings if you're desperate enough. Sacrificing your individuality to become part of a whole if it means you get to belong.
[SPOILERS---] Reading Jane’s statement, it seems like she could just as easily have been taken by The Lonely. But instead of going the Lukas path and committing to that isolation (COVID mood, amiright, folks?), she went the opposite direction, and gave herself up completely to become a home for something else. That aspect? The willingness to do anything to feel like you belong? I find it fascinating that that is categorized under Corruption, not Lonely. And, actually, writing this now, kind of adds a whole other layer to Jane keeping Martin trapped in his apartment. Hm. [---SPOILERS]
I expected this piece to be grosser (I was really hoping to use the word ‘pustule’), but I ended up gravitating towards the more figurative stuff. I think once I realized how to use the ‘home is where the heart is' line – a line I’ve been trying to make into something for fucking a g e s – I had committed to the more figurative aspect of the fear. Probably for the best. I don’t know how to make a song that is worms. Best I could manage was not deleting as many awful, awful wet mouth noises.
Also, not for nothing, I think on last year’s(?) RQ Gaming and Giving Stream there’s a great clip of Hannah Brankin defending Jane by vehemently slamming her fist onto the table and crying “She gave those worms a home!” It's a total coincidence - unless my subconscious was being sneaky - that this song and that quote fit together and it makes me absurdly happy.
LYRICS:
Darling sweet, we sing for you
A symphony of malady and mildew.
Itching with a fever’s heat
Beautiful but incomplete;
Precious dear, we sing for you
All you hope and fear is true .
Your love, our need,
You house, we feed.
Home is where the heart is, aimless though you roam,
In mutual belonging let us make your heart our home
Every plague must have its victims,
Every body rots away
Why hold fast
To what won’t last?
Hail decadent decay
Oh, how many we could dirty
Oh, how many we could bring to the writhing ground.
Feel your power,
As the hypocrites cower
And mucid moans resound.
All vitality forgotten...
Don’t you know, loved one: The sweetest smelling fruit is rotten
CHORUS
Every mold requires moisture,
Every bug a host to drain.
Don’t be tied
To self-ruled pride
Join our symbiotic strain.
Oh, become our new apprentice,
Oh, let us guide you as we burrow through your bones.
It’s all so lewd
This facade of pulchritude
True beauty's sung by drones.
Let us colonize the clean...
Don’t you know, loved one: Every hive must have its Queen
CHORUS
(You need never be alone)
SPOILERS ahead for season 1:
For the full JPE (Jane Prentiss Experience), doctors recommend listening to this on loop until you decide the best course of action is to LARP as a beehive.
I think this was one of the first ideas that popped into my head when considering this project. Some Entities were really hard to translate into song, which is why these come from a bunch of different perspectives. But I had a pretty clear idea of this one from the start, which gave me some confidence.
Not only that, I was also lucky insofar as it’s an entity that actually sings – or, a manifestation of it does. You know what I mean. – AND, there are descriptions of its singing! So I could go through the transcript of Jane’s hair-rasing statement and pick out the relevant info. The descriptor of “nectar-sweet” was one I kept in mind a lot. It inspired the little bits of major in this mostly minor song. Like whenever they call her ‘precious’, or ‘darling, or ‘loved one’ I tried to have those bits be major to stand out, and sound like they could be maybe nice as opposed to creepy.
The Corruption is really interesting to me. I feel like it has both a really clear literal and figurative manifestation. Like, fear of sickness and bugs ‘n stuff. Got it. But also unhealthy love. The danger of codependency. The insidiousness of cults, and how red flags might look like beacons instead of warnings if you're desperate enough. Sacrificing your individuality to become part of a whole if it means you get to belong.
[SPOILERS---] Reading Jane’s statement, it seems like she could just as easily have been taken by The Lonely. But instead of going the Lukas path and committing to that isolation (COVID mood, amiright, folks?), she went the opposite direction, and gave herself up completely to become a home for something else. That aspect? The willingness to do anything to feel like you belong? I find it fascinating that that is categorized under Corruption, not Lonely. And, actually, writing this now, kind of adds a whole other layer to Jane keeping Martin trapped in his apartment. Hm. [---SPOILERS]
I expected this piece to be grosser (I was really hoping to use the word ‘pustule’), but I ended up gravitating towards the more figurative stuff. I think once I realized how to use the ‘home is where the heart is' line – a line I’ve been trying to make into something for fucking a g e s – I had committed to the more figurative aspect of the fear. Probably for the best. I don’t know how to make a song that is worms. Best I could manage was not deleting as many awful, awful wet mouth noises.
Also, not for nothing, I think on last year’s(?) RQ Gaming and Giving Stream there’s a great clip of Hannah Brankin defending Jane by vehemently slamming her fist onto the table and crying “She gave those worms a home!” It's a total coincidence - unless my subconscious was being sneaky - that this song and that quote fit together and it makes me absurdly happy.
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