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Lugansky - Brahms Piano Concerto No. 1

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Johannes Brahms (1833 – 1897)
Piano Concerto No. 1 in D minor, Op. 15 (1858)
Nikolai Lugansky, soloist
Alexander Rudin conducting Russian National Youth Symphony Orchestra, March 2022
Moscow Philharmonic Society
I.
[0:00] Expos. - Theme 1 (Maestoso)
[4:00] Expos. - Solo entrance
[6:54] Expos. - Theme 2 (Poco più moderato)
[11:10] Dev. (Tempo I)
[14:30] Recap. - Theme 1
[17:36] Recap. - Theme 2 (Poco più moderato)
[21:38] Coda (Tempo I poco più animato)
II.
[23:35] A (Adagio)
[28:33] B
[30:09] A’ (- molto espr. dolce 31:31)
[34:14] Coda (Cadenza ad lib.)
III. Rondo
[36:13] A1/B1 (Allegro non troppo)
[39:21] A2/B2
[41:25] C (w/ Fugato)
[43:10] A3/B3
[44:27] Cadenza quasi Fantasia
[45:50] Coda B/A (a tempo - a brilliant transition 47:19 - Più animano 47:30)
"Brahms's piano concertos are two of the greatest pillars of the Romantic repertoire. The first, written in 1858 when the composer was still a young man, is like a symphony where piano and orchestra seem involved at times in a titanic struggle, themes are hurled across the stage with dramatic rhetoric; the second, composed two decades later, feels more like a massive chamber work, where the musical ideas are an exchange rather than a confrontation. If the first is more about proclamation, the second is perhaps more about reception - a speaker versus a listener. The way each piece opens tells this story in a few seconds: the first with its ferocious drum roll, a clap of D minor thunder pinning the audience back in its seats; the second with a gentle horn solo inviting that same audience to lean forward in dialogue.”
- Stephen Hough
Piano Concerto No. 1 in D minor, Op. 15 (1858)
Nikolai Lugansky, soloist
Alexander Rudin conducting Russian National Youth Symphony Orchestra, March 2022
Moscow Philharmonic Society
I.
[0:00] Expos. - Theme 1 (Maestoso)
[4:00] Expos. - Solo entrance
[6:54] Expos. - Theme 2 (Poco più moderato)
[11:10] Dev. (Tempo I)
[14:30] Recap. - Theme 1
[17:36] Recap. - Theme 2 (Poco più moderato)
[21:38] Coda (Tempo I poco più animato)
II.
[23:35] A (Adagio)
[28:33] B
[30:09] A’ (- molto espr. dolce 31:31)
[34:14] Coda (Cadenza ad lib.)
III. Rondo
[36:13] A1/B1 (Allegro non troppo)
[39:21] A2/B2
[41:25] C (w/ Fugato)
[43:10] A3/B3
[44:27] Cadenza quasi Fantasia
[45:50] Coda B/A (a tempo - a brilliant transition 47:19 - Più animano 47:30)
"Brahms's piano concertos are two of the greatest pillars of the Romantic repertoire. The first, written in 1858 when the composer was still a young man, is like a symphony where piano and orchestra seem involved at times in a titanic struggle, themes are hurled across the stage with dramatic rhetoric; the second, composed two decades later, feels more like a massive chamber work, where the musical ideas are an exchange rather than a confrontation. If the first is more about proclamation, the second is perhaps more about reception - a speaker versus a listener. The way each piece opens tells this story in a few seconds: the first with its ferocious drum roll, a clap of D minor thunder pinning the audience back in its seats; the second with a gentle horn solo inviting that same audience to lean forward in dialogue.”
- Stephen Hough
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