F-log vs Film Simulation vs LUT's

Have you been wanting to buy a Fujifilm camera for video, filmmaking, and photography, but are unsure what to expect from the colors? Well today I will show you the f-log, film simulations, and Luts side by side so you know what to expect. For the film simulations I will compare Provia, Velvia, Astia, Classic Chrome, and Eterna. For the LUT comparison, I will be showing Fujifilms Eterna Lut as well as the built in luts within DaVinci Resolve, Kodak 2383 and Fujifilm 3513. I also recreated some of the film simulations in f-log to show how well f-log can be graded.

If this video helped you make sure to give it a like, and if you recently bought a Fujifilm for filmmaking and want to learn how to correct your footage make sure to check out my channel! :)

Shot on the Fujifilm XT3

For my cameras settings they are all at the max.

4k (3840 x 2160)
H.265
All-Intra
400 Mbps

Additional Settings

24 fps
1/48 shutter speed
640 iso
5300K

Below is the color checker used in this video

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[firatyildirim]

Thanks for sharing, to my eyes original fujifilm classis chrome works the best.

[reljapetrovicmusic]

Do you think that it's better to use the film simulation and get the settings you want in camera rather than applying the changes to the log footage in davinci?

[VictorAmaru]

Hey bro, you're doing great with your work.
There's something I still don't understand, and that's how you achieve those color profiles from F-log. Are they LUTs, or do you create all these colors yourself? How can I get those color profiles for Davinci?
And finally, have you ever worked with F-log2?
Greetings, and I would really appreciate your response.