filmov
tv
What is a Datu, a Rajah, and a Lakan? (Philippine Royalty)
Показать описание
In today’s raw vlog, I’ll be answering one of the most frequently asked questions I get from many of you, “What’s the Difference between a Datu, a Raja and a Lakan?” (Ano ang ipinagkaiba ng isang Datu sa isang Rajah at sa isang Lakan?). What are the key distinctions between these three titles used by pre-colonial rulers (and present-day leaders) in the Philippines?
2:57 - What is a Datu?
5:45 - Modern Day Politics Comparison
6:45 - What is a Rajah?
8:00 - What is a Lakan?
12:05 - Game of Thrones Comparison (SPOILER ALERT!)
Salámat! ❤️💛💚
#KnowHistoryKnowSelf #KnowYourRoots
About the Bai Bibyaon Ligkayan Bigkay & the Indigenous Lumad:
Artworks by:
Carlos "Botong” Francisco
Abdhy.Art
James Claridades (Squeegool)
Raph Herrera Lomotan
Seichi Unemoto
Agui Naldo (Dodjie Aguinaldo)
Amiel Guanlao
About Kirby:
Kirby Pábalan-Táyag Aráullo is a renowned Filipino culture bearer and currently the National Coordinator for Culture and Heritage for NAFCON (National Alliance for Filipino Concerns). He is a Dátû and Lakan by blood, a direct descendant of the last Paramount Kings of Luzon (of both Lakandúlâ of Tondo and Rája Matandá of Maynílâ, who are also of the Sultans of Sulu and Brunei, and of the ancient Mahārājas of the Majapahit Empire). Dátû Kirby's upbringing exposed him to the contradicting worlds of traditional politics and grassroots activism.
Kirby is the co-founder and former Director of Operations for the Bulosan Center for Filipino Studies at the University of California, Davis, and has been teaching Filipino people’s history and writing in indigenous Philippine scripts (Baybayin & Kulitan) for over a decade. An alumnus of UC Davis, Kirby has also started his graduate studies in the field of history at Harvard University, and on International Human Rights Law at the Université catholique de Louvain in Belgium. He is a visiting professor at various colleges in the Philippines and a research fellow with Sínúpan Singsing, a publicly-funded institute for indigenous advocacy and the study of Kapampángan language, history, and culture.
Dátû Kirby is well-rooted in his culture and passionate about his heritage; he strives to decolonize Philippine history and democratize Ethnic Studies through knowledge and play.
2:57 - What is a Datu?
5:45 - Modern Day Politics Comparison
6:45 - What is a Rajah?
8:00 - What is a Lakan?
12:05 - Game of Thrones Comparison (SPOILER ALERT!)
Salámat! ❤️💛💚
#KnowHistoryKnowSelf #KnowYourRoots
About the Bai Bibyaon Ligkayan Bigkay & the Indigenous Lumad:
Artworks by:
Carlos "Botong” Francisco
Abdhy.Art
James Claridades (Squeegool)
Raph Herrera Lomotan
Seichi Unemoto
Agui Naldo (Dodjie Aguinaldo)
Amiel Guanlao
About Kirby:
Kirby Pábalan-Táyag Aráullo is a renowned Filipino culture bearer and currently the National Coordinator for Culture and Heritage for NAFCON (National Alliance for Filipino Concerns). He is a Dátû and Lakan by blood, a direct descendant of the last Paramount Kings of Luzon (of both Lakandúlâ of Tondo and Rája Matandá of Maynílâ, who are also of the Sultans of Sulu and Brunei, and of the ancient Mahārājas of the Majapahit Empire). Dátû Kirby's upbringing exposed him to the contradicting worlds of traditional politics and grassroots activism.
Kirby is the co-founder and former Director of Operations for the Bulosan Center for Filipino Studies at the University of California, Davis, and has been teaching Filipino people’s history and writing in indigenous Philippine scripts (Baybayin & Kulitan) for over a decade. An alumnus of UC Davis, Kirby has also started his graduate studies in the field of history at Harvard University, and on International Human Rights Law at the Université catholique de Louvain in Belgium. He is a visiting professor at various colleges in the Philippines and a research fellow with Sínúpan Singsing, a publicly-funded institute for indigenous advocacy and the study of Kapampángan language, history, and culture.
Dátû Kirby is well-rooted in his culture and passionate about his heritage; he strives to decolonize Philippine history and democratize Ethnic Studies through knowledge and play.
Комментарии