Yesterdays, by Jerome Kern & Otto Harbach/arr. Bill Holman from Lab 2011 by the One O'Clock Lab Band

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Yesterdays, composed by Jerome Kern & Otto Harbach, arranged by Bill Holman, from the CD Lab 2011 by the University of North Texas One O'Clock Lab Band, directed by Steve Wiest. The six-time Grammy-nominated One O'Clock Lab Band is the flagship ensemble of the North Texas jazz studies program at UNT in Denton, TX.
Lab 2011
Modus Operandy (Michael Brecker/ arr. Kevin Swaim)
Duplicity (Colin Campbell)
Perseverance (Richard DeRosa)
Hip Pickles (Lou Marini, Jr.)
Nail in the Coffin (Kevin Swaim)
Doublethink (Sean Nelson)
Yesterdays (Jerome Kern & Otto Harbach/ arr. Bill Holman)
Special Interests (Neil Slater)
The Last Theme Song (Steve Wiest)

Producers: Steve Wiest, Craig Marshall, Phil Bulla.
Recording Engineers: Phil Bulla, Michael Vazquez.
HD Video: Yerrow Productions.
Producer: Craig Marshall.
Director: Hanny Lee.
Graphics: Juliana Park.
Art: Dustin Mollick.
Photography: Frederick Dent, Bobby Lewis, Hanny Lee.
Recorded at Crystal Clear Sound Studio, Dallas, TX.
Mixed at The Rebel Base, Argyle, TX.
Edited and Mastered by Phil Bulla at Platinum Productions, Monroe, NY.
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That's one of the best tenor sounds I've ever heard.

BobDoherty
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Can’t get enough. Have to come back every so often and get my fix. Thanks guys.

rickstokes
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Effortless playing with a sublime sound. One of my desert island tracks that I could listen to time and time again. And do so without being on a desert Island.

junctionbigband
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Tenor sax player‘s name is Brian Clancy. Great player.

njamofficial
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This interpretation of one of Bill Holman's great arrangements must be hard to beat. Each time I listen to it the better it sounds. This is an orchestra.

insultantable
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That passage between 2:56 and 3:25 is what heaven must sound like.

papanino
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I cried listening to this. The mark of true artistry

aWinkler
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It's wonderful to know that jazz is loved and respected by up and coming generations. Arrangements with style and panache are alive and well and brimming with hope for the future.

MrJazzologist
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Very remarkable rendition. I got emotional. Congrats & thx for posting.

loufip
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Magnificent my dear friends..Arica Chile

Fargosportsmassage
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Polypgonics, Subitto, and not overstated, Very Old School, and very nice Kid. .What a band!

thequintcocompany
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the drummer has a banana on his stand lol, i love this tune, one of my favs, beautifully performed, thank you

katrinarose
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These guys are such a promising hopes for the longevity of the modern jazz era.
5:40 - 7.20 was truly magical. Thumbs up !!!

Risandi_Pradipto
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Wonderful- great balance and feel from everyone, but yeah, the sax player certainly plays with great expression, and his tone is just enviable—— thanks for posting.

geoffgreen
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This is the essence of perfection. Great arrangement on a gorgeous composition, and amazing feel that the ensemble has, and Brian's interpretation, WOW! I couldn't find enough good to describe his mastery on this. So emotional, with such feel and understanding...incredible low register, and all up and down on the beautiful Selmer.

chauncywashington
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Great stuff! Bill Hollman is an arranging genius.

pacrimco
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This has been one of my favorite "Kenton band/Holman" arrangements since I was a high school student in the fifties. I believe Bill Perkins did that first tenor solo/part. These guys made chills go all over me. Such memories.... Gives me hope. Keep it up.

jazzfisher
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Wow, that is Brecker caliber tone and improv at the cadenza! Yet, there's so much originality here. I must say, Mr. Clancy, you have such a way with soloing. Thank you for this awesome recording!

IamSaralinka
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Brian you have so many good things going on in your playing! Big fan of the cadenza and your sound.

mattsawyerjazz
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I happened upon the NTJazz over the weekend and I WAS AMAZED!!! Like, I can’t get enough!!!

princealexanderhardin
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