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A Glimpse of Hawaii c.1906: Amazing Footage Restored to Life
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Time travel back to 1906 for a glimpse of the Hawaiian islands. Early silent black and white footage enhanced to 4K color 60fps with added sound ambience.
1. A panoramic shot of Waikiki beach, Hawaii.
2. Passengers from the S.S Kinau landing at Laupahoihoi, Hawaii.
3. Native Hawaiian canoes
4. A group attend a display of Pa'u Wahine Riders. Wahine is ( Hawaiian for 'women') horseback riders who wear long, colorful skirts.
5. King Street in Honolulu. Filmed from the front of the tram
6. Trams and crowds return from the games held at Waikiki
7. Hawaiians attend a Luau Feast to celebrate opening of the Kohola Ditch - June 1906.
8. Landing at Mahukona, Hawaii.
The AI Film Restoration Process:
I take early fragments of silent 16fps footage and restore them to life by a combination of manual frame by frame colorization as well as the use of deep exemplar-based video colorization techniques. The footage is upscaled and the frames interpolated to a higher frame rate ( in most cases 60 frames per second.) Finally I produce a soundtrack which helps build a new immersive experience for the viewer.
Together, these processes revive old fragments of footage, offering audiences a more
vivid and engaging glimpse of lives long since lived in the distant past.
The colorization process used Deep exemplar-based Video colorization.
Filmed by Robert K Bonine for Thomas Edison Films.
Preserved by Library of Congress.
1. A panoramic shot of Waikiki beach, Hawaii.
2. Passengers from the S.S Kinau landing at Laupahoihoi, Hawaii.
3. Native Hawaiian canoes
4. A group attend a display of Pa'u Wahine Riders. Wahine is ( Hawaiian for 'women') horseback riders who wear long, colorful skirts.
5. King Street in Honolulu. Filmed from the front of the tram
6. Trams and crowds return from the games held at Waikiki
7. Hawaiians attend a Luau Feast to celebrate opening of the Kohola Ditch - June 1906.
8. Landing at Mahukona, Hawaii.
The AI Film Restoration Process:
I take early fragments of silent 16fps footage and restore them to life by a combination of manual frame by frame colorization as well as the use of deep exemplar-based video colorization techniques. The footage is upscaled and the frames interpolated to a higher frame rate ( in most cases 60 frames per second.) Finally I produce a soundtrack which helps build a new immersive experience for the viewer.
Together, these processes revive old fragments of footage, offering audiences a more
vivid and engaging glimpse of lives long since lived in the distant past.
The colorization process used Deep exemplar-based Video colorization.
Filmed by Robert K Bonine for Thomas Edison Films.
Preserved by Library of Congress.
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