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D’Angelo - Greatdayndamornin’ / Booty Lyrics
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Greatdayndamornin’ - 0:00
Booty - 5:37
*******************
REPLAY
Lyrics - 1:46
Bassline - 2:33
Vocals - 2:46
Ad-lib - 5:12
*******************
Lyrics
D’Angelo
Questlove
Charlie Hunter
Angie Stone
Mixing Engineer
Russell Elevado
D’Angelo
Recording Engineer
Russell Elevado
Mastering Engineer
Tom Coyne
Guitar
Charlie Hunter
Bass
Charlie Hunter
Drums
Questlove
Producer
D’Angelo
©️ Virgin Records
📸 Russell Elevado, Eddie Kramer, D’Angelo
……………………………….
RUSSELL ELEVADO
You've said that part of your goal was make this music sound vintage, or like an original version of the old records that producers were sampling at the time. And listening now, I love that Voodoo sounds like it was recorded in 1975. How did you approach that task technically?
Russ: First of all, just fundamentally having a lot of sounds from that era in my brain. And then by adding a lot of distortion in creative ways. At the end of "Greatdayndamornin'," there's a little outro called "Booty." Those drums are processed through some distortion — I think I put it through a couple of guitar amps. I was doing a lot of that: experimenting with different types of microphones, processing through amplifiers, or overloading the line amps on the console to see if I could come up with an "oldish" sound.
For folks who don't know music production, tell me a little about the difference between that process and digital recording.
Russ: Nowadays, everything is recorded digitally, but all of the past legends made their music on tape machines. Whereas digital is like a copy of the signal, tape is the purest form you're going to hear music in: The signal is recorded onto a part of the tape and it's physically there. In general, there's a warmer sound, more of a natural sound, and it gives you more of an impression of depth and width in the music. But also, with digital recording, you can undo something. With tape, if you want to go over a section, it's completely gone — you can't retrieve that information ever again. And it makes you better, because there's less room for errors.
Greatdayndamornin’ - 0:00
Booty - 5:37
*******************
REPLAY
Lyrics - 1:46
Bassline - 2:33
Vocals - 2:46
Ad-lib - 5:12
*******************
Lyrics
D’Angelo
Questlove
Charlie Hunter
Angie Stone
Mixing Engineer
Russell Elevado
D’Angelo
Recording Engineer
Russell Elevado
Mastering Engineer
Tom Coyne
Guitar
Charlie Hunter
Bass
Charlie Hunter
Drums
Questlove
Producer
D’Angelo
©️ Virgin Records
📸 Russell Elevado, Eddie Kramer, D’Angelo
……………………………….
RUSSELL ELEVADO
You've said that part of your goal was make this music sound vintage, or like an original version of the old records that producers were sampling at the time. And listening now, I love that Voodoo sounds like it was recorded in 1975. How did you approach that task technically?
Russ: First of all, just fundamentally having a lot of sounds from that era in my brain. And then by adding a lot of distortion in creative ways. At the end of "Greatdayndamornin'," there's a little outro called "Booty." Those drums are processed through some distortion — I think I put it through a couple of guitar amps. I was doing a lot of that: experimenting with different types of microphones, processing through amplifiers, or overloading the line amps on the console to see if I could come up with an "oldish" sound.
For folks who don't know music production, tell me a little about the difference between that process and digital recording.
Russ: Nowadays, everything is recorded digitally, but all of the past legends made their music on tape machines. Whereas digital is like a copy of the signal, tape is the purest form you're going to hear music in: The signal is recorded onto a part of the tape and it's physically there. In general, there's a warmer sound, more of a natural sound, and it gives you more of an impression of depth and width in the music. But also, with digital recording, you can undo something. With tape, if you want to go over a section, it's completely gone — you can't retrieve that information ever again. And it makes you better, because there's less room for errors.
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